BUSTED: UK company is raided for fake vinyl production


This is pretty interesting:

https://www.securingindustry.com/fake-vinyl-record-pressing-plant-busted-in-uk/s112/a8989/#.XEXrXVxK...

I wonder how much start-up costs there were with this and what their return on investment would be?  Seems to me, this is a very hard way to make money...
128x128mofimadness
The key wording on this article was here... " ... specialising in Northern Soul records ... "Any Record Collector will tell you that this genre is THE hottest and most expensive of any genre (save, of course, pre-war Delta Blues 78's ... but that's another story).The most expensive 7" EVER sold was "Do I Love, Yes I Do" by Frank Wilson.( https://recordcollectormag.com/articles/the-worlds-rarest-record ).This article is out of date, I know that this record has since been sold again at a much higher price.

These scam artists were making reproductions of super-rare records and it's extremely lucrative indeed. We're not talking about pirating Supertramp LPs or anything as pedestrian as that. No, these guys knew precisely what they were doing as there is REAL money to be made here.

The British have a seemingly never-ending appetite for "Northern Soul" ( https://en.wikipedia.org/wiki/Northern_soul ) and are willing to pay incredible amounts of money for choice & rare items (always 7" from USA). This genre makes Doo-Wop and rare Jazz seem like veritable bargain-bin sales.
Aside: Pre-war Delta Blues 78s represent THE most expensive genre for any Record Collector to enter ... one of the top collectors here is John Tefteller who has kindly uploaded numerous images of THE rarest records on the planet, check them out here: http://www.tefteller.com/Some of these discs are unique (literally 1 copy) and contain in their worn grooves some of THE most outstanding ever made, some of which remains lost (like the two Paramount 78s by Willie Brown, who accompanied Charley Patton in one of his sessions).
mofimadnessThank You for sharing. Those guys really took risk selling on Amazon/eBay.No doubt that pirating has been around for a long time for the Russian and Southeast Asia markets.
Good post there, @chronoglidesky. I think there are 4  pre-war copies of Skip James' Devil Got My Woman, only one of which is in good playing condition and has been used for a number of the transcriptions.
Thanks for adding more detail to the Wales situation. 
Here's a few 1-copy-wonders (literally only 1 copy known)...
  • Son House "Clarkesdale Moan" (found c.2008)
  • Blind Joe Reynolds "Cold Woman Blues" (found c.2000)
  • Jaydee Short "Tar Road Blues" (found c.2015)
  • Charlie Patton "Jim Lee Blues Pt2" (poor condition)

The list goes on and on. We're lucky to have ANY copies at all if it weren't for the excavation and tenacity of great Blues-hounds. All the above are owned by John Tefteller, he shares the audio on his calendar CDs, so big thanks to John.

Anyway, "Northern Soul" is a genuine mine-field and really best left for only the most knowledgeable ... these criminals knew their targets perfectly.
As an interesting, and Hi-Fi related, aside concerning Skip James ...
John Peel (the most important British DJ of all time) had a small section of his late evening show called "The Pig's Big 78" ("The Pig" being his affectionate name for his wife who enjoyed original 78s).I heard live, at the time, first-hand - so I can swear this is TRUE...
Anyway, he first played a Paramount Skip James track that had been respectfully (and professionally) mastered on a proper re-issue label.He then said something like "OK, that was the CD, but *I* have an original copy - which I know is worth a LOT* of money - here it is..."
* No kidding. The last Skip James original Paramount I know of sold for "over $10,000" in early 2000's (closer to $20k I suspect).

The point here was that the original was UNBELIEVABLY natural and clear and simply "alive". It blew away the (well made) CD master.I noticed this instantly.
It was like Skip was literally singing right there in my room, so present. John Peel commented also on this. How amazing the original sounded over the CD and many, many, many people wrote in saying they could not believe how much better the 78 sounded. No-one knew why.
Something to be said in favour of that long-forgotten medium perhaps?
I still wonder why it sounded so much better than the CD ... but it DID, please believe me. Peel says he had same experience on many other 78s.