Big speakers in small room at moderate volume levels


My office is 11’W x 10’L x 9’H and is where I can listen to music for the next few years. I have a toddler and, for now, he has commanded the big spaces in the rest of the house. I have auditioned the Magico A3 and wanted to buy it but that was before I was relegated to the smallish office (I was expecting to move to a bigger room). I have removed the closet doors in this office room. The removal of the closet door gives me another 4 feet of depth to this room, though for only 1/2 width of the room. I can sit unobstructed 8 feet away from the speakers before I hit the area where the closet ends (so near field listening).

I currently I have KEF LS50 with Peachtree Nova 150. It is good and I can listen for the whole day without fatigue. I listen to FM, digital files on ROON, and my Sony SCD-1 SACD player. I want a bigger sound so I am looking at bigger speakers. I also do not want to use a sub since I am not a fan. I will also upgrade the NOVA 150 to the NOVA 500 in Spring 2019 and use with the LS50’s in a bedroom.

I came to the conclusion that my tastes would be best served by one of KEF Reference 1 or Magico A3. I was thinking that I would use the Lyngdorf 3400 in this room but I am having seconds thoughts on this now (some A’gon comments that it maybe a little dry). I am interested in solid state AB units like the Hegel H590 and Mark Levinson 585 to drive the speakers. I have heard the ML 585 and it is a fatigue free sounding unit that was a joy to listen to. I have not heard the Hegel H590 yet (but have heard other Hegels with KEF) and I am in the process of getting an audition of the H590. I have also discounted the class AB Micromega M-One 150 (with MARS room correction) because I do not want a cooling fan blowing in the room.

I must mention that I do not listen that loud when I am working and when I am working very late at night the volume is very low. The Mark Levinson and A3 combo was very good at low volumes during my demo but that was in the dealers perfect large room.

1) Am I making a mistake foregoing room correction with the 2 integrateds I am considering? Should I go with the Lyngdorf and A3 or KEF Ref 1, though I have never heard the Lyngdorf?

2) Will the Magico A3 work in this small room at moderate volumes WITHOUT room correction or will I subject myself to headaches and fatigue?

I am going to ask the dealer selling the A3’s this question when I am ready to buy but i wanted to ask on A’gon first to get some feedback. I doubt I could get the A3’s into my room for a trial but I have not asked the dealer yet.

I think (not 100% sure) the KEF Reference 1 with a non room correcting amp should work in my office space but I would prefer to buy the Magico A3 for the office. I have plans to buy another KEF model once my kid is a bit older and I can kick him out of the big room.
yyzsantabarbara
@gosta In my posts on this tread I have been going back and forth stating I need to get a stand mount or floor stander. The reason being when I started setting up the LS50’s in my office the sound was fatiguing. So I was under the impression that l would be resigned to another small stand mount. However, as I have added acoustic treatments and done the other things mentioned I realize that I can get a small floor stander in this room. I have no doubt about that now.

One thing I will get is a preamp with DSP as a safety net device to integrate the floor stander in the office. I have mentioned 3 DSP units that I am considering based on feature set and ease of DSP use. They are Lyngdorf 3400, Linn Selekt DSM, and the Anthem STR. I will be doing a DSP shootout soon at an audio deal who has a small conference room with glass panels. We will put the rather large Paradigm Persona 5F in there and fire away. That dealer is actually very interested in hearing the results themselves.

I recently found out that the Linn unit will not have a "high quality" analog board (it does have an analog board), I also have a tuner and SACD player. So the Linn drops down a lot in consideration. I would have to jump up to the much more expensive Linn units to get the better analog board. So the Lyngdorf and the Anthem STR are the front runners now based on feature set. I would be throwing money away with the Lyngdorf because when I auditioned it I did not like the amp section but I did love the preamp section. We did not test DSP that day. The Anthem has the perfect feature set and if the sound is within range of the Lyngdorf then that would be a great choice. I also heard an all digital setup of the Linn + DSP in a big room and it sounded very good.

The Audience 1+1 V3 is an amazing sounding speaker. It sounds better than the KEF LS50. So why sell that and keep the KEF’s? It was because the imaging was driving me crazy when I sat off-axis, the LS50 was better at this. Now after tuning my room with the treatments and other things, I think I maybe able to get the Audience imaging fixed but at that time I did not know how to fix it. The thing that is amazing about the Audience is the clarity you get in the sound. It is actually a bit like the Vivid speaker, maybe even better. You sometimes felt like you were in the studio with the musicians, especially with my Benchmark AHB2 amp.

I wrote a bit more detail on the Audience to someone else that asked. I will see where that is and send you.

Room Perfect is amazing!  It will benefit you when you can  move to a bigger room. I recommend Lindorff  for this reason! 
@oldtiger I listened to the Lynbgdorf 2170 (a old demo unit so burned in) and I loved the preamp section. I did not like the amp section and used an external SimAudio amp to hear the beauty of the preamp section. I did not listen to the DSP, but that is in the future shootout.

I have not done my DSP shootout yet due to funds taking longer to magically appear. However, during this time I have been conversing with some folks who have owned the Lyngdorf and the Anthem. My conversation with the dealer on the Linn Selekt had put it at the bottom of the list due to the lack of "high quality" analog input support. They also have no intention of comping out with a better analog board, like Lyngdorf has done.

The summery from all these discussions with A'gon users was that the Anthem STR preamp is likely going be my choice. The feature set of the Anthem is fantastic along with the 2 analog XLR inputs that can go direct without DSP processing (as an option). If the sound quality of the DSP is the same across the 3 units the Anthem is the easy choice.  The Lyngdorf as a preamp is great and it has better support for the analog inputs (compared to the Linn) so I am going to give that unit a good listen. However, the amp section of the Lyngdorf is out in my consideration (kind of wasting money there if I get it).

Now the choice of the speakers is also coming more into focus.

1) Paradigm Person 3F (can be had from $6300 - $10000). This is my first choice and an Anthem STR pre + amp + 3F is what a lot of folks have and they all love it. The smallish forward facing woofers on the 3F maybe better than side firing woofers.

2) The Vivid Kaya 45 is one I know i would like. I liked the Kaya 90 a lot. However, the side firing woofers maybe a bad choice in my small room. Anybody have an opinion on side firing woofers. I had some NHT 2.5 that had side firing woofers on them and they needed some space on the side (20 years ago).

https://www.soundstageultra.com/index.php/equipment-menu/865-vivid-audio-kaya-45-loudspeakers

3) The Yamaha NS5000, I have a feeling this is too big a speaker for the room, but this speaker is now STRONGLY rumored to be coming to the USA. At least I could have an easier time auditioning it. My understanding is the chemical is used in the exterior lacquer needs to pass California import rules. So they may change the lacquer used. Don't quote me on this, but this was the feedback I got from a few guys with knowledge on the Yamaha.

So if anyone is interested in chiming in on the side firing woofer and a small room please do so. Remember the room is acoustically treated.