The Tragic Decline of Music Literacy (and Quality)


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Wow. Cultural gatekeepers shaking their fists at the societal deterioration playing on their lawns and airwaves. 

Im not suggesting that formulaic commercial enterprises like Maroon 5, or sounds du-jour like trap or 21 Savage are indicative of any depth, but much of the music of any decade or century is bubble-gum. It loses its flavor after a while and society moves on. 

in the past year I've discovered several new, younger artists who are now part of my listening catalog. They're not legends; they're not trying to be. But they are talented, engaging acts who keep the musical flame burning. 
Auto-Tune is, to date, the biggest single symptom of the decline of Western civilization.

Millercarbon, every thing in the USA is in decline since 1960: I visited Detroit in 1965, and it was the most elegant city I have ever been to; it seems everyone drove a new car, and dressed in the latest quality fashions.

The first time I experienced "valet parking" was when we went to a nightclub to see Aretha Franklin; they also had hat check girls (just like in the movies), all new to me. I was taken around to visit some of the friends of my host, who lived in swell homes with "rathskellers", that was the term used for playrooms with bars.

Since I listen to what I consider the highest quality music available any time I'm woke, I consider this conversation quite valid in regard to the music; however, just citing the music would make one guilty of tunnel vision.



Fortunately I live near the College Conservatory of Music which offers opportunities I never would have experienced otherwise. Especially the new composers series that took place for three weeks during several summers. I met Steve Reich, Moritz Eggert and Kaija Saariaho as well as other contemporary composers and performers. And the school has had legendary professors such as Henry Meyer and Karin Dayas.
The Cincinnati College of Music and the Conservatory of Music merged in 1955, given that it’s faculty members taught at both schools. My grandparents graduated from the College of Music in the 1920’s, my grandmother a soprano and my grandfather a cellist. They played professionally i.e. my grandmother a soloist with the Cincinnati Symphony Orchestra.
We also have a good orchestra in Cincinnati and a beautiful Music Hall which was just renovated not to long ago. However given all of this, it still fails to compete with European cities. I’ve lived in Paris and Cologne and can say that there isn’t a city in the US who can compare to the cultural advantages of either of these cities. Especially Germany and the reason comes down to money. Germany spends more money on financially supporting orchestras and other musical organizations more than anywhere else in the world. Musicians who play for the Berlin are better off than anyone else anywhere else. This being the reason for the New York Philharmonic losing its first chair cellist to the Berlin.
Additionally, most European children receive musical preparation on the piano and it is not uncommon for people to have a piano in their homes. I am probably a minority for having a console piano in my house.