Small drivers vs big drivers


Hi,
I have a question that is always in my mind recently. I see some speakers with small  drivers (5-9 inches) that is reviewed to be able to throw out big sound stage and go down to 18hz-20hz. Some other speakers with big drivers (10-15 inches) though are commented to have 'big sound stage' but can only go as low as 30-35hz. 

To make the situation more complicated, some speakers have small drivers but there are many of them. Can many small drivers be compensate for the size limitation?

I don't know which specs determine a wide sound stage and the ability to reach low frequencies.  What is the pros and cons of each design?

Thank you!

Huy.
Ag insider logo xs@2xquanghuy147
Adding to @twoleftears :

The 2.5 way speaker is a little miracle of efficiency, space and capability.

Two 8" drivers are still only the radiating surface of a 10" or so, but the increased efficiency, and reasonably extended bass output make them superbly enjoyable compromises.

Best,
E
@twoleftears

+1. A 12” or larger woofer can pressure up the room much like a real kick drum would do. The difference is very noticeable. The tendency of speakers with smaller woofers is to generate the lowest frequencies through port tuning which gives a muddy sounding kick drum, as the transient response is smeared by group delay. The frequency response on small multiple woofer speakers can be sometimes equaled to that of a large woofer by clever use of ports to plumb the subsonic depths but the time smearing from porting leaves one with the impression of a kick drum that sounds a bit like a bass guitar - it hums or resonates rather than sounding explosively punchy.

Large woofers really make a kick drum sound realistic and much more distinctive from bass guitar despite sharing similar frequencies.
@shadorne

Did you mean sound realistic, or feel realistic?
I ask because I am always curious how much we actually listen through our skin than our ears.
@erik_squires

I think we hear it but you are right in the sense that it isn’t really a change in the sustained note of the kick. It isn’t because there are more lower frequencies present - more a time coherence thing - the slap of the head with the kick pedal is matched by a very low frequency room compression that the ears “feel” more than hear - like descending in an aeroplane but infinitely faster. It is very useful to clearly distinguish kick from bass guitar. A timbral effect caused by a time coherent transient.

You won’t get this effect from a ported subwoofer but you can get it from a sealed one like a JL sub.

There is a huge amount of detail in the bass range - most bookshelf ported designs can sound enjoyable but fail completely at conveying this detail or texture. All Headphones fail too. Maybe feeling does have something to do with the effect - our bones would pick this pressure or LF up too.
Good point fellas. The inability of home playback systems to recreate the physical sensation of live music is one of the most serious remaining failings of the recording/playback process. Reproduced music sounds too cerebral, the brain being fed information mostly through the ears, not the largest organ in the human body---the skin. I wonder if future centuries will look back at this period of hi-fi development as we do the Edison cylinder.