The Science of Cables


It seems to me that there is too little scientific, objective evidence for why cables sound the way they do. When I see discussions on cables, physical attributes are discussed; things like shielding, gauge, material, geometry, etc. and rarely are things like resistance, impedance, inductance, capacitance, etc. Why is this? Why aren’t cables discussed in terms of physical measurements very often?

Seems to me like that would increase the customer base. I know several “objectivist” that won’t accept any of your claims unless you have measurements and blind tests. If there were measurements that correlated to what you hear, I think more people would be interested in cables. 

I know cables are often system dependent but there are still many generalizations that can be made.
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I've also added a black SR outlet and Perfect Path Omega E-Mat on my power panel.  The latter really boosted the video color density and brightness.  The audio improved as much.  The power outlet improvement was significant but nearly the same price I paid for the E-Mat which was 5X the improvement of the outlet.
Please file under the lengths people will go to ram their point across.

Here’s an interesting article that turned up in my inbox a few weeks back. Excerpts follow:

“It was no surprise, then, that in 1983, the magazine jumped at the opportunity to conduct a double-blind listening test, which editor-in-chief Bill Livingston and his colleagues hoped would reveal, scientifically, that high-end cables were indeed a hoax and provided no higher performance than the everyday lamp cord in common use at the time.”

“The resulting article created a firestorm. As you’ll read, the panel identified, to a statistically significant degree, the 24-gauge from the other two contenders with pink noise as the source. More critically, they also identified, again with statistical significance, the Monster Cable from the 16-gauge with pink noise. But the latter results didn’t hold when choral music was used, and none of the Monster versus 16-gauge results passed the higher threshold of a 75 percent or greater detection rate said to be psychoacoustically significant.”

“SR’s editors, however, rewrote the ending to create something akin to a blanket condemnation of the category and pressured Greenhill to accept the changes, a decision he later regretted.”

“Today, 35 years later, the debate over audiophile cables remains as active as ever.".

In other words. Folks have heard a difference between speaker cables. The article way back in 1983 should have settled this there and then. But something got into the way of the truth. You can read the Sound & Vision article in full here, and here is the article “The Horse’s Mouth” mentioned in the S&V article.

Here are some excerpts from Stereophile’s article - “The Horse’s Mouth“:

“The striking outcome is that the panel accurately heard and named speaker cables in 5 out of 6 comparisons. The listeners felt pleased after this listening test battery: they had heard real differences! After the 50 hours of testing, scoring, comparing, and just plain listening, they were exhausted but felt accomplished. Both Monster Cable and 24-gauge wire could be heard reliably under double-blind conditions.”

Much can be learned from the coverage afforded the cable article. Stereo Review has used Larry Greenhill’s article by distorting it to represent their well-established editorial positions. International Audio Review has used it to draw attention to its role as savior of the consumer and of the high-end industry. The Absolute Sound has capitalized on the humor possibilities, and taken the opportunity to again attack Julian Hirsch—at whose feet I feel this matter is unjustly laid. Hans Fantel, who must have read only the conclusions and not the data, used the Stereo Review article to justify his hitherto-announced scorn for esoterica. The Wall Street Journal seemingly has no axe to grind, but Gregory Sandow has used their pages to not unfairly promote The Absolute Sound, for whom he also writes.

Significant harm has been done, however.

The underlined paragraph indicates the same article are interpreted differently by subsequent magazines to push their agendas. Herein lies the problem (in bold) - these articles have done more harm than good.

Significant harm indeed. Controversy sell magazines then, controversy drives advertisement traffic now.

https://www.snakeoil-os.net/news/under-the-sun/experts-doing-more-harm-than-good
It just goes to illustrate one definition of an expert is someone who used to be a drip under pressure.
"Drip under pressure’ They are not an 'ex'pert. The are a 'current' spurt under Geoff’s definition.
So many threads trying to ’simplify’ the complexities of audio. I agree for a newbie audio is a daunting hobby with way too many choices, and hardly anyone to trust. Every audiophile has a different agenda and equipment brands they like, in fact rave madly about. No consensus, no map.
Used to be one went to the dealer, where for good or bad you got your salesman guru fix... and a system. Now, few dealers, no apparent gurus, since everyone is a guru expounding why they are right, and all those other fools are wrong.
Several types of amps, big small, Solid State, tubes, SET, OTL, Class A, or D, preamp no preamp, digital must be a certain KIND of chip, this one NO that one, power cords. can’t just use the stock one .. OMG! nooooo. I would hate to be trying to start out in this hobby. No question I would just walk away and start a tropical fish hobby instead....