Dan ed, well said in 1 paragraph. Strengths and weaknesses equals compromise. It is important to understand what each one of us wants from a system. Equipment reviews and forum opinions/experiences are great, but it takes years, IME, for trial and error to make some determinations of what is right and wrong for each of us. Atmasphere made the point that speaker/room/listener interaction is very important, as well as everything else upstream. So right. This takes time, patience, experience, know how and money in most cases, never achieving the expected results. Other factors such as room build and dimensions, and ac power design/execution play critical roles in all of this. In my many years ( and fortunately early on ), I had the pleasure of being invited to the home of my college music professor. Sitting in this room was a pair of Khorns, driven by a pair of M 9's, 7C , 15 ips master tapes, t.table with Rabco arm, and recordings of every genre. Served wine and cheese, with many hours to listen, I was so captivated, this was that moment for me. Everyone needs to have an experience like this, so they can have "direction". So now I own horns, with ss gear, and spend a good hour or 2 at a time listening when I can. Never thinking about changing a thing, other than what am I in the mood to listen to. Thank you for listening to my story. Mr D.
What does one purchase after owning horns?
I have owned Avantgarde Uno's and sold them because of the lack of bass to horn integration. I loved the dynamics, the midrange and highs. Now faced with a new speaker purchase, I demo speakers and they sound lifeless and contrived. The drama and beauty of live music and even the sound of percussion insturments like a piano are not at all convincing. I have an $8k budget for speakers give or take a thousand. My room is 13'X26' firing down the length. Any good ideas will be appreciated. My music prefrences are jazz/jazz vocalist.
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- 375 posts total
- 375 posts total