DIY. Whose speakers would you use?


If you could pick and choose from any parts out there, which tweeters mids and woofers would you spec for a DIY set of speakers? What about the crossover electronics? Which caps, etc? Crossovers to be internal. Amps SS.
Thinking caps on please!!
Emphasis on boxes for serious listening.
Thanks. Have fun with this!!
edgecreek209
If I were seriously looking for a recommendation for a kit, Audiogon would not be where I would ask this question. Some of the posts on this thread are excellent examples of why I say this. A lot of opinions from some who probably don't know which end of a screw driver to hold.
An interesting assembly Orpheus10. The finish would not be my taste, but otherwise, not bad at all.
Hi Dan ed,
No offense meant, but If you could not decern which comments to take seriously, you probably should not be building yourself. I asked the op several questions that really need to be answered to choose any diy speakers. No answers. To properly design yourself, you must be able to look at frequency, impedance and phase curves and know where to cross, what different slopes will sound like, how to handle impedence or frequency rises, etc... But for someone to build a kit, you simply need to be able to follow a simple speaker schematic and be handy with a soldering iron for the crossovers... Cabinets are another story... I've been building for 32 years, I still build a mediocre cabinet. My current speakers are completely mine and will compete at around $4 to $5K. I have around $900. in them.
Very good points Orpheus10. Gets to the reason for the thread. What speakers have we heard, maybe in multiple product lines, that keep coming back as good sound in a well executed design? Certainly the engineering is as critical as the components. The best speaker in an ill designed enclosure may sound terrible.
That said, I believe that with correct design, and the specified parts, the only remaining limitation of a kit is the skill of the DIY'er.
Oh, I get it. You want to know what WE would like. For sheer dynamics and compatibility with low powered tube amps, I'm tempted by the Zalytron, Selah and Occam line arrays. For less cost, size and something more conventional, the Selahs with the Morel 2" soft dome midranges and ribbon tweeters would be my choice. I've liked dome midranges for female voice and sax and the crossover between ribbon and dome mid is livable. Then again... always liked Dunlavy's, so maybe a MTM but with a ribbon tweeter?

None of the above would satisfy my deep bass needs. In the case of the latter Selahs, I would keep them sealed and add stack them on a sealed active sub. However, I would probably start with a multi-driver passive sub and use a PA amp (QSC, Crown, Carver Pro or even W4S) and a NHT X2 active xover.

At one point, I was considering something like a DIY Genesis clone, using the big BG ribbons. Turned out I could buy a used G350 for less than it would cost to build half-assed.

Years ago, decades actually, worked with Bessel-type passive filters on commercial projects. Never been popular but I liked them for their linear phase response. Long forgotten. Wouldn't know where to start now. Vaguely remember endless tables, spec sheets and calculations. Stronger memories of late nights smelling solder flux and burnt components.