Esoteric DV-50: Any cdp's Significantly better?


Is there are anyone out there who has compared the Esoteric DV-50 to a number of dedicated red book only players (or other universal's) and found one that is SIGNIFICANTLY better?

I stress significantly because in my humble opinion the redbook playback (if comparison unit is just a cd cd player only )must be significantly better to justify losing DVD-A, SACD and DVD-Video capability.

I keep hearing there are better one box solutions and being a die hard 2 channel fan I would sell my DV-50 if I found a player in the same price range that sounds significantly better. But every time I do an AB comparision to other well respected units the DV-50 has slayed each and every one.

So far, it has eaten the lunch of the Classe CDP-10, Ayre CX-7, Linn Ikemi, Cairn Fog Vers. 2, Cary 306/300, Arcam DV 27A and CD 33T, Myryad CD 600, etc. It even betters a Sony SCD 777ES/MF Tri-Vista 21 transport/dac combo that I previously owned. I'm only comparing the DV-50 to single box cd or universal players, but I just wanted to mention the Sony/MF combo. I'm sure there are some dac/transport combo's that will handily beat the DV 50.

Some may say that the DV 50 should beat all the above because the of price point ($5,500 vs. average price of $3,000 for the above players). But I disagree since conventional wisdom says that stand alone players (especially with the pedigree of those mentioned above) should produce better redbook than a universal player trying to be a jack of all trades. Only the DV 27A does video plus audio. By the way, I was very impressed with the 27A as just a cd player. Of all the above I would say the Ayre was the best.

Next on my list is the Electrocompaniet EMC 1UP and the Resolution Audio Opus 21. However, I must tell you I am really impressed with the DV 50 and all the great reviews are absolutely true. I've noticed that many people who are using it or comparing to other players are using the RCA analog outs instead of the balanced outs. There is a significant improvement in sound if you use the balanced outs and I'm only interested in hearing comments from people who have compared it against other players using the balanced outs on the DV-50.

My system components are as follows:

B&W N803's speakers & HTM-1 center
Cary Cinema 5 (5 x 200) amp
Anthem D1 Statement pre/pro
Esoteric DV 50
Acoustic Zen Satori Shotgun speaker wire
Nirvana SX balanced interconnects from DV-50 to Anthem
Acoustic Zen Matrix reference II interconnects from D1 to Cary
No after market power cords or isolation equipment

My system sounds great! Those who comment please make sure to specify what specific improvements you heard over the DV 50 and what cdp were you comparing it against.

AVGURU
avguru
I suggest a Niles switchbox to which you can hook up many components. That way you can do a blind test and switch between them without most people knowing what is switched in at the moment. If the switchbox detracts from the sound it will detract from all in equal measure.
I have a switchbox I can bring, BUT, it does degrade the sound. Brian, email me your info please, see ya in the am.
Hi 711, I sent you the directions a little while ago. Don't bother with a switchbox.
Brian
TGUN5, you may be right. I have reread the paragraph in question in the soundstage review of X-01. Now I am totally confused. I suspect the filter discussion was lifted almost bodily from the Esoteric site, as it sounds somewhat stilted. I will call Esoteric on Monday or Tuesday and will ask them directly which filter technology is supplied with X-01.
Well, the gang just left. Jayctoy, 711smilin, Tgun5 and a couple others (Tgun5's sister and Eric, another local enthusiast) showed up and we listened to Jayctoy's Modwright Sony 9000es, 711smilin's APL Denon 3910, and Tgun5's modded DV50 with the Superclock3.

The system consisted of each player using a TG Audio SLVR power cord, TG Audio HSR High Purity single ended interconnects, CTC Blowtorch preamp, Purist Colossus balanced ICs to Parasound JC-1 monoblocks, TG Audio HSR speaker cables, and Sound Lab Ultimate-1 speakers. Line conditioners/filters used were TG Audio BybeeSucker and Creative Cable Concepts Blue Lightning plugged into Acme Audio cryo'd silver plated AC outlets. Room treatment consists of Sound Lab Sallies and ASC Tube Traps behind the speakers and a tapestry on the wall behind the speakers. Before the shootout we listened a bit through my digital front end, which was removed from the system to accommodate the other players.

The outcome? My answer might sound like a cop out, but I don't think there was a clear consensus. Some of us had similar comments but different preferences. If there was one thing we agreed upon it was that before anyone considers changing from one of these players to another, they might think twice, because they all have their strengths and are all very good. How one works in your system depends on the rest of the gear.

Hats off to all of the friendly folks who came and made for a very fun day for everyone. Thanks to Tom and Steve who both brought excellent wines which were consumed in moderation and enjoyed by all. Lots of laughs and good listening, both serious and casual. We filled out score cards to rank each, but the results were very close.

Perhaps there will be more shootouts, and I look forward to attending and, if people would like, hosting more in the future. What a great way to spend an afternoon, evening, or both with warm new and old acquaintances with a shared passion for music and fine sound in the home.

Brian