Why so little none impressions on Focal Maestro?

I think he means there has not been a lot of positive feedback here on Agon by owners of the Focal Maestro Utopias.

How many people can afford a speaker at over 50K, not to mention the space dimensions as well as the weight at +250lbs.

Maybe these are more popular in Europe as opposed to the US based Vandersteens and Wilsons.
Wilson - is also a status symbol...for some of the rich to say - they have Wilsons. That is not a knock on their performance at all. All the times I have heard them - in context the system as a whole it was great sound.

Sometimes it is easy to overestimate how many units of upper market components are actually sold. I have been a small audio dealer for years in smaller markets and never see some of these items. I have sold things to a few people with the kind of money to buy such items but they chose not to. Outside of NYC and LA and possibly Chicago the market is very tight. I would guess that there have been components reviewed by major magazines which haven't sold 10 units here; I remember this being alleged in the past.

Thanks for responses, well I mean not positive but ANY feedback including negative.There is quite a few negatives(same mentioned Wilsons or B&W) but nothing about Maestro. I understand top Models (from Focal that would be Grande EM and Stella EM) but Maestro is still afordable (or at least priced in common sense), and to my ears it more complex to integrate in small European house and probbaly they would love bigger, slight damped rooms. I am not Focal dealer or salesman bu I helped to setup two pairs of Maestro- they needs to be position very carefuly to get 3D and avoid "boxy" and overly warm sound. they replaced Marten Coltrane and Kharma 3.2.2(?) after setup they just fine-smooth ,powerfull, and homogenic. but not so "interesting" comparing to both Marten and Kharma. I just leaved after that but I came few times back after while and the more i listened the more enjoyment i get from them. At one point owner reverted back to Marten with same Bryston amps and we could hardly believe how forward, analytical and harsh they soundd with less than perfect records and how individual intruments just "jumped in and out" during orchestra performance distracting from music. before that instaltion i tried to look on the net what amps, sources people uses on Maestro and couldnt find ANY. So reason for starting this thread. To my ears they sound very good(frightning dynamic and yet calm, smooth) with set of bryston 28"s. Any (practical) findings to how they would sound with accuphase m6000? or maybe someone uses some other amps and find perfect match?

They look good don't they.