Hi All,
This is a very intriguing thread. I used to have a Rives Parc, which helped with some bass problems, but tended to depress the dynamics of the rest of the signal. I am starting to research different room correction systems, although for my application, I want the correction entirely in the digital domain, prior to my DAC. There are starting to be a lot of choices out there, but the learning curve seems very steep. The Lyngdorf seems to be very advanced, but as one poster said, there is no provision for user adjustability. The DEQX seems to have it all, but the manual is over 200 pages, and of course there is no dealer in my area. In any case, the Copland highlights what I think is a very positive trend.
David
This is a very intriguing thread. I used to have a Rives Parc, which helped with some bass problems, but tended to depress the dynamics of the rest of the signal. I am starting to research different room correction systems, although for my application, I want the correction entirely in the digital domain, prior to my DAC. There are starting to be a lot of choices out there, but the learning curve seems very steep. The Lyngdorf seems to be very advanced, but as one poster said, there is no provision for user adjustability. The DEQX seems to have it all, but the manual is over 200 pages, and of course there is no dealer in my area. In any case, the Copland highlights what I think is a very positive trend.
David