The Law of Diminishing Digital Returns


When is the sound good enough? Is that $2500 CDP $1500 better sounding than the $1000 player? I have read posts on members favorite CDP'S - i.e., Ayre, Opus, Sony, Rega, Arcam, Naim, Musical Fidelity, and countless others. I guess my question is: When you get to a certain price point (I am guessing it is in the $1000 - $1500 range) are players worth the additional $1000's in some cases for the 5% improvement in sound quality? There has to be a player out there that is really close to those $4k to $5k CDP's that is a pleasure to listen to (or even a Giant Kiler) for around $1000. Am I the only one who feels this way? Let's keep modded players out of this please. I am looking for your thought on players right out of the box that wowed you!
mattcone
You've brought up a good point with the law of diminishing returns. I have been looking at several CD players over the past couple of months and now think that I may go with the new Rega Apollo. The new Forbidden City Turandot also interests me but we're talking twice the price.
I second much of what has been said above. I recently compared several CD players, all around $2k (used or new, depending). From the group, I found both the Electrocompaniet EMC 1-UP, and the Audio Aero Prima to be the best. They are both excellent machines, and, coincidentally, I have one of each for sale right now here on Audiogon! The only reason that I am selling both, is that I have found a modified version of the EMC which I am keeping.

Now, as to the original question, I can't imagine a dedicated player at around $1k competing with either of the above-mentioned players. And I firmly believe that the difference, if one could quantify it, would be much more than 5%. I do, however, believe that above (around) the $2k mark, the returns (for those of us who are not wealthy) begin to diminish rapidly.

Finally, I also agree that the future of digital sources is computer-based, as Matt has suggested above. I have no doubt that some very good systems can be built right now, but I've decided to wait a while for that technology to further mature.
Once you cross over(no pun intended...)and decide you want more quality in your music it is my belief that one should spend perhaps that extra 20% eventhough there is not a matched 20% improvement. If this is a real quality system then you can spread that extra cost over the life of the system and enjoy it while doing so. If you keep the system for five years then that extra $1,000.00 comes out to $200.00/year or about 75 cents per day and a really good system is certainly going to last much longer than five years.