Why so underwhelmed by Revel F208 audition???


After much reading my local dealer finally got in a pair of Revel F208 speakers to audition. After playing my usual demo songs I was sorely disappointed with the sound.
They simply had no life. The strings that sparkled on other systems sounded like cardboard (ok, bad description but you get my point). They bass did not move me at all.

Was it because:
1) I wouldn't know good music if it slapped my in the face?
2) I was actually auditioning the electronics more that the speakers?
3) I've become a music snob and only the best will do?
4) They are not properly broken in?
5) The speakers really are cr@p?

After reading that 3 different reviewers use the performa's (f206 or f208) as their reference speakers, it's really hard for me to believe number 5 - that the speakers suck

I've been a severe critic of bad sound and a conosour of fine music my whole life so I hope number 1 isn't true:(

The sound from my main system is breathtakingly beautiful. It consists of a Metrum Hex Dac, Benchmark DAC2 Pre preamp, Bryston 3B Sst2 power amp, PMC 22 speakers flanked by 2 Rythmik F12 Subs. The DAC is very rich and analog sounding and the rest of the system is very transparent. Stunning sound. So I have very high standards to reference these speakers against. Maybe I am just expecting too much from the Revels? So number 3 might be somewhat true???

The F208 speakers where being fed by an arcam CD player and an arcam a39 integrated amp. Perhaps this can not compete with my home system? Is number 2 correct and I am really just auditioning the electronics?

Break in can make a big difference in speakers. Maybe they need hundreds of more hours through them? I need to check on number 4.

Or maybe they really are that bad and everyone who has reviewed them is a big fat liar?

Who has heard these and can make a comment???
earlxtr
Analogluvr, thanks for your comment. I too tend to generally prefer amplifiers which don't employ negative feedback, in part because it may be an indication that the intrinsic quality of the design is sufficiently good that it doesn't need to employ it. But on the other hand there are certainly some excellent amplifiers which do use light to moderate amounts of feedback, many ARC amps being examples.

My point regarding the A39, though, is that its exceptionally low harmonic distortion spec is strongly suggestive of the use of LARGE amounts of feedback, with all of its potential downsides, perhaps most notably Transient Intermodulation Distortion (which is not normally specified and for which I believe measurement standards do not exist). And it is also suggestive of the possibility that the quality of the design is such that, as you put it, a Band-Aid is necessary.

On another note: Bombaywalla, your comment is intriguing, and prompts me to ask for whatever elaboration you may deem appropriate to provide :-)

Regards,
-- Al
I've never heard f208, but never heard any Revel speaker that has life in sound in any room with any electronics.
worst dollar per sound spent.
Kudos to Al for hitting one out of the park. I believe that Hitachi was the first to implement class G audio products in the late 1970s and subsequently abandoned the idea.

As Rodney Dangerfield said to Sally Kellerman in Back To School, "Call me some time when you have no class."
Earlxtr wrote:............. The Stereofile reviewer said he liked these even more than the Bryston speakers he compared them to.
Can you point me to this reference? I do not recall seeing it.
Shakeydeal: My experience is that Bryston neither adds to takes away from source it is being fed. Use a rich sounding DAC like my Metrum Hex and it sounds rich (fantastic really). Feed it with an analytical DAC like my Benchmark DAC2 and it sounds analytical. Feed it with garbage...well you get my point. To my ears it's super transparent...it all comes down to your source. You obviously have not heard what I've heard or you'd be trying to sell one of your kidneys to get one:)))))))