Linear tracking vs. Pivoted tracking tone arms.


After searching all 735 existing analog "threads" I only found one short discussion regarding Linear tracking arms vs. tangential tracking arms. I have been a vinyl collector for over 32 years, and beleive that pure analog is still the "gold standard". In 1984 I purchased a Sony PS-X555ES linear tracking, biotracer, turntable. It is a fully automatic table with direct drive. This table has served me well, with no mechanical or set up issues. It is still in my system today. There are no adjustments other than balancing the tonearm to a netural position, then dialing in your tracking force. Two years ago I installed a Denon DL 160 moving coil cartridge, and am very pleased with its quality. I am considering retirement for the Sony and replacement with a Michell Gyro SE with Rega pivoted arm. Linear tracking arms are not availiable. This is a belt drive, full manual table. I understand that the master LP lacquer is cut on a lathe with the linear method. Should vinyl be replayed in the same manner for optimal sound? I would really like to hear from some hard core audiophile vinyl types on this one. By the way, my system consists of the followinig: Conrad-Johnson PV10B all tube pre-amp with tube phono stage. This is split into a C-J Primer 11 tube amp and C-J MF2250 FET amp, bi-amped into a pair of KEF Reference series 3-2 speakers. The Premier 11 feeds the mids and highs and the MF2250 feeds the bass section. All cables and interconnects are Monster Cables finest. Thanks in advance for any advice.
lbo
Ok, I have been had, Caterham1700 tossed in a hook that I have to nibble at....

"The reason that there are so few tonearms available at its price points is because its superiority effectively crushed nearly all the competition for nearly 2 decades."

Superiority in marketing? The best selling product, even at a particular price point, rarely is the best product you know! I am sure some others lacked in resources and not in quality, which is where I believe the Rega's are lacking.

I find their argument a hoot too. Better to use a lesser grade cartridge which can never extract from the grove what information is there so that you can have a false sense of superior rigidity! Sounds like an add targeted toward folks in need of Viagra to me.....

No, better to use a superior cartridge and an arm that can, pretty much, infinitely adjust to accommodate it. I’ll pick up a Rega if I need a back, or lower section, scratcher…. Then again, we all know about opinions, and mine like all others, should be seen through that filter….
LBO, the Pioneer PL-800 linear tracking has been talked about as a classic in European audio forums. You might be able to get a used one in eBay if that's what youre into.

As for the Regas--once more--it's a great sounding name!!!

I solved the 'rigidity' problem in my Technics 1200 by placing a Bob Regal Foot to the left of the tonearm pivot(teak side down)and to the rear of the platter. It is absorbing vibrations which would otherwise travel down the tonearm tube and get magnified at the stylus tip. The improvement is so drammatic it seems I have purchased a new TT!!! And I still have continuous VTA adjustment.
The answer to your question is posted on my website: http://www.dnaudio.com/Tan.htm
Just beautiful! Bet would be a great match with one of those oldie Technics DDs (SP-10, SP-25)...

Way out of my means, though.
Djnorth, Nice web site, great images of the Airtangent.

Glad I included it in my list since you (seem) to be connected to the company. The Airtanget 10B is one of the linear track arms I was referring to, among the six I have owned. A truly beautiful arm.

Puroagave. Agree about the Versa 2.5 and John. He is a brilliant engineer. I did much of the photography for him, including the images of the Red Rollers and Wood Blocks. I too owned this table and doubt that there are more than one or two tables ever built that compete with it. In my opinion they would be the Rockport and Walker. I have heard both, and currently own the Walker.

Many great ways to play an LP, I agree with every suggestion here, especially within the price points each one represents. To vote for the one arm I would own again, should I find there were no linear's to choose from, it would be the Tungsten Graham with Ceramic arm and upgrade cables. A remarkable design, VERY difficult to get perfect, as you can clearly hear differences of one tenth of a gram and azimuth changes that are wrought by resting a red sable brush on the side weights. Well worth the effort when dialed in.

Only caveat, this rig requires a perfect foundation and stand, as changes of a few millimeters in floor shift will cause the unipivot to shift azimuth. This is confusing to hear the sound deteriorate and return (say before and after a rain with pier and beam home), until you learn to sight the turntable in with a level every so often, so the arm is realigned "automatically" rather than spending 45 minutes chasing the adjustment, only to have it off when the foundation moves again.

Hope the comments help those who are trying for perfection in their dial in.