Ready to try vinyl


I would like to buy a turntable just to see what all the fuss is about. Since I remember the pops and scratches all too well, I do not want to spend alot just to satisfy my curiosity. I want a turntable that is capable of giving me a "taste" of what the vinyl sound is all about without going overboard. I can always upgrade if I like what I hear. I would also like to avoid deciding against vinyl because the turntable was not capable of capturing at least the basics. What turntables should I be looking at and how much should I spend? I would prefer to buy used due to the experimental nature of this adventure. Current gear is Sunfire processor with phono input, a pair of Classe M 701's, and B&W 800N. I am relying on your responses since I don't know squat. Thanks for your help.
baffled
" ACCURATE AND HIGHLY CONSTANT SPEED ", ( where everything the same ) do the difference between a belt drive system against a DD system, where the DD system beats the belt drive system.
As I've followed Raul's arguments regarding DD versus belt drive turntables, I was reminded of a story Lloyd Walker tells:

At one of the CES shows, three gentlemen entered Walker Audio's room in which Lloyd was demo'ing his turntable and engaged Lloyd in a very sincere and very animated discussion about belt drive turntables not possibly being able to maintain the speed consistency needed for true state of the art performance. They raised all of the same theoretical arguments Raul presented (and rather than repeat all of these, I encourage you to read the various posts from Raul above). The substance of their point ultimately being that only a servo controlled direct drive turntable could maintain speed accuracy and resulting pitch consistency for true state of the art performance.

In the course of the discussion, all had agreed that sustained notes on a piano were one of the most revealing tests of speed consistency and consequent lack of pitch variation. So, Lloyd puts on a classical piano solo recording on his turntable and they begin to listen. Sounds pretty good, but the three gentlemen continue to argue that without servo control, no turntable can maintain pitch constancy.

At this point, Lloyd is getting a little frustrated. So, he pulls a pair of scissors out of his kit and, right in the middle of the music, CUTS the silk belt. The music continues to play. And for the next 30 seconds the piano performance continues without a motor driving it all and with perfect pitch stability. (End of story)

Personally, I'm a bit of a skeptic. So after hearing this story, I decided to test for myself on my Walker Proscenium turntable (after all, the belt is only a strip of silk tape and is easily replaced). Well..., Ivan Moravec continued to sound just luscious on some delicate Chopin for at least 35 seconds before I could detect any change in pitch here.

Cheers,
An arpeggio of gratitude towards Rushton for that lovely and amusing story. (Are you sure it wasn’t Moravec’s gravity-defying Chopin performance that kept your table spinning?) I am but a half-step away from making an appointment with Señor Walker and his table

Regards,
Direct Drive Website. This is a very nice website with lots of fun info and a DD Museum:

http://de.geocities.com/bc1a69/index_eng.html
Albertporter...I won't debate with you whether existing DD turntables exhibit "cogging", but, speaking as one with some experience with (non-audio) DD precision servos, "cogging" would be a flaw in the design. It is no more inherent to a DD system than to an indirect drive such as a belt or idler wheel. A DD system avoids problems of compliance (belt stetch) or backlash in the torque transmission hardware.