It's really a philosophical difference. I describe the differences below without making a case for either one (I hope!)
In analog, the soundwaves are literally captured in the groove "verbatim" so to speak. And they need only be gotten back into the air to hear them again. A process, I may point out, which doesn't necessarily even require electricity to implement (talk about organic!) The only real problem with analog (as with all things organic) is that the storage medium (the groove) and the stored information (the wiggles) are inseparable -- damage to the medium means damage to the information stored there.
Digital storage is completely inorganic. The information that is stored is not sound but rather a coded "blueprint" for creating or REcreating sound through electronic means (there are no hand-crank DACs!) The sonic information in its "coded" form bears no resemblance whatsoever to the entity (sound) that it represents -- in other words, you couldn't look at a list of ones and zeros and say, "Gee, that looks like some kind of wave form!" And therefore, the resulting de-coded sound is "virtual", and not "real", in the sense that it doesn't come from any tangible object that looks the same as (analogous to) the sound wave.
From the foregoing, it should be obvious that a principal feature of digital is that one can create "code" from scratch, process it, and hear it as "sound". Sort of like making a "test tube" baby. (I'm not talking about sampling or making actual sound, and then processing it -- as with the early synthesizers.) This possibility may not qualify as "music making" for some, because it isn't a "direct" way of producing sound with the human body (singing being the most direct) but therein lies the philosphical difference I mentioned at the beginning.
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In analog, the soundwaves are literally captured in the groove "verbatim" so to speak. And they need only be gotten back into the air to hear them again. A process, I may point out, which doesn't necessarily even require electricity to implement (talk about organic!) The only real problem with analog (as with all things organic) is that the storage medium (the groove) and the stored information (the wiggles) are inseparable -- damage to the medium means damage to the information stored there.
Digital storage is completely inorganic. The information that is stored is not sound but rather a coded "blueprint" for creating or REcreating sound through electronic means (there are no hand-crank DACs!) The sonic information in its "coded" form bears no resemblance whatsoever to the entity (sound) that it represents -- in other words, you couldn't look at a list of ones and zeros and say, "Gee, that looks like some kind of wave form!" And therefore, the resulting de-coded sound is "virtual", and not "real", in the sense that it doesn't come from any tangible object that looks the same as (analogous to) the sound wave.
From the foregoing, it should be obvious that a principal feature of digital is that one can create "code" from scratch, process it, and hear it as "sound". Sort of like making a "test tube" baby. (I'm not talking about sampling or making actual sound, and then processing it -- as with the early synthesizers.) This possibility may not qualify as "music making" for some, because it isn't a "direct" way of producing sound with the human body (singing being the most direct) but therein lies the philosphical difference I mentioned at the beginning.
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