Wonderful discusssion and a succession of insightful points, especially from Flyingred and Thom. I've experienced all they discussed re: the choice between TriPlanar vs. Schroeder (both Reference and DPS). We chose the TriPlanar for exactly the reasons they mentioned: comfort with setup and adjustment. For our priorities the TriPlanar was the easier arm to set up and use accurately.
The result has been, as Raul observed during a recent visit, that we play our arm/cartridge "on the edge", meaning that the tiniest adjustments are instantly audible. We don't do this for the "thrill", we do it because that knife edge is where everything sounds best, most lifelike, most real. Our choice of arms made it easier for us to discover the optimal setting for each parameter, which gives us the best musical reproduction.
Flyingred's mention of the non-elastic belt used by Galibier/Redpoint/Teres should be re-emphasized. This apparently subtle point is easily overlooked when trying to assess TT's from a distance. It would never be overlooked by someone who's tried different belts for themselves.
The difference in transient speed, dynamics and bass strength and accuracy between non-elastic and elastic belts has to be heard to be appreciated. There are many beautifully built tables on offer today, but when my advice is sought I will not recommend one which employs a significantly non-linear torque coupling between motor and platter. The damage this does to musical liveliness and accuracy is too great, at least to our ears.
The result has been, as Raul observed during a recent visit, that we play our arm/cartridge "on the edge", meaning that the tiniest adjustments are instantly audible. We don't do this for the "thrill", we do it because that knife edge is where everything sounds best, most lifelike, most real. Our choice of arms made it easier for us to discover the optimal setting for each parameter, which gives us the best musical reproduction.
Flyingred's mention of the non-elastic belt used by Galibier/Redpoint/Teres should be re-emphasized. This apparently subtle point is easily overlooked when trying to assess TT's from a distance. It would never be overlooked by someone who's tried different belts for themselves.
The difference in transient speed, dynamics and bass strength and accuracy between non-elastic and elastic belts has to be heard to be appreciated. There are many beautifully built tables on offer today, but when my advice is sought I will not recommend one which employs a significantly non-linear torque coupling between motor and platter. The damage this does to musical liveliness and accuracy is too great, at least to our ears.