Stand out phono stages


This topic has been started before by others and myself as well, maybe too many times, but it is worth revisiting since the source is so very important!
So far I have had the pleasure to enjoy two worthy phono stages: the EAR 834p and the JLTI.
I have to admit they are spectacular. Obviously the record and all the equipment downstream play a role in the sound heard. In some cases I prefer the JLTI and in other cases the EAR. But neither out do the other dramatically.
What phono preamps outshine others by a big margin, those that can be considered the last phono preamp ever needed.
pedrillo
Nilthepill, now it is my tun to say that I am in 100% agreement with you. The 9600 on my Quads seems perfect synergy. For the phonostage I just had a go at a Wavac, although I thought of Zanden, but I got an offer which I couldn't refuse. Wonder how the Wavac will mate. UPS willling, I should have it tomorrow. I had an IO about 5 years ago, found it a bit noisy at the beginning, but after extensive tube rolling it was absolute bliss with excellent dynamics. A change of fortunes forced me to sell it with all the rest of my gear. I still miss it today.
Cheers,
Detlof
Detlof, Let us know how Wavac works out with the 9600. I am eager to lay my hands on the 9600 before my 'fortune' changes;-)
Well, the Wavac has arrived and put into the chain and as its sound is slowly evolving, it seems both fast, dynamic, absolutely quiet and throwing a wonderful soundstage. It is still opening up after about 6 hours of playing. A bit darkish at first, that was changed by careful placing of the Walker's point stuff under the gear and on top. We will see how it evolves, so far it looks more than just good.
Anyone familiar with the phono section of the Kondo Audio note Japan M77 and their external step-up transformer?