Stand out phono stages


This topic has been started before by others and myself as well, maybe too many times, but it is worth revisiting since the source is so very important!
So far I have had the pleasure to enjoy two worthy phono stages: the EAR 834p and the JLTI.
I have to admit they are spectacular. Obviously the record and all the equipment downstream play a role in the sound heard. In some cases I prefer the JLTI and in other cases the EAR. But neither out do the other dramatically.
What phono preamps outshine others by a big margin, those that can be considered the last phono preamp ever needed.
pedrillo
Mainiac,
Yes the groups were formed based on price.
There are a couple in the less expensive group that may belong in the top notch group though.
I notice that Zanden, ASR and Boulder were mentioned twice. Is that a clue that they're better? ;-)
Piedpiper,
Regarding the doubles strictly a typo.
Would like to hear from goners who had the pleasure of owning some of these great phono stages, what were the phono stages that stayed and which were let go. And associated gear?
OK, I'm just starting to get a handle on the ZYX Artisan which on first listen is just outstanding. So far I think its better than my VAC Ren Mk2 (not sig) which was better than Aesthetix Rhea and almost as good as Doshi Alaaps in a head to head to head. Very strong and extended bass, and smooth top to bottom. Its only got about 15 hours on it, but it plays in the big leagues, IMO. Of course the synergy with ZYX Airy 2 SB cart may be a big factor ;~)
I notice that Zanden, ASR and Boulder were mentioned twice. Is that a clue that they're better? ;-)
As a matter of fact, the expensive Boulder is a very good phono. The asr is also OK -- but without the same level of performance (or I just don't like integrated circuits).

Amazingly, a modded EAR is also good and much cheaper.