I agree with the earlier callouts on the Herron phono stages. I owned the VTPH-1mc+ and thought it was awesome. With a Benz low output moving coil, it performed better in my system that a Fosgate Signature that I had and then sold (Fosgate was awesome...LF/HF extension, aesthetics, etc. but I think my output was too low to fully realize it's abilities). I then upgraded to the VTPH-2. Even better -- larger (deeper, taller, wider) sound stage, more transparent, and equally quiet (no tube rush whatsover). Add to this that Keith Herron is superbly committed to his products and customers to a heroic level, and the Herron gear gets my vote.
Stand out phono stages
This topic has been started before by others and myself as well, maybe too many times, but it is worth revisiting since the source is so very important!
So far I have had the pleasure to enjoy two worthy phono stages: the EAR 834p and the JLTI.
I have to admit they are spectacular. Obviously the record and all the equipment downstream play a role in the sound heard. In some cases I prefer the JLTI and in other cases the EAR. But neither out do the other dramatically.
What phono preamps outshine others by a big margin, those that can be considered the last phono preamp ever needed.
So far I have had the pleasure to enjoy two worthy phono stages: the EAR 834p and the JLTI.
I have to admit they are spectacular. Obviously the record and all the equipment downstream play a role in the sound heard. In some cases I prefer the JLTI and in other cases the EAR. But neither out do the other dramatically.
What phono preamps outshine others by a big margin, those that can be considered the last phono preamp ever needed.
- ...
- 402 posts total
- 402 posts total