Own a TW-Acustic Raven One?


Do you own a TW-Acustic Raven One? What are your impressions so far? What did it replace? How does it compare to the VPI tables; the Aries 3, SuperScoutMaster?
stickman451
Lots of good feedback. It seems though, that many feel the TW-Acustic is worth a serious listen. This I will definitely do! My intention in this thread was not to drum-up bad thoughts on VPI tables; I have had a VPI Scout and for the money I believe that it was a very decent table.

What I am lookng for is the next level up; a table that pushes the current state of the art and that is above everything else, emotionally satisfying. That's why I listen to music! Obviously VPI makes very good products or they would have gone out of business long ago.

From the above, it seems many of you that have had personal experience with both VPI, TW-Acustic, and other tables, agree that the TW-Acustic tables are something special and warrant a personal evaluation!
My VPI 10.5i is solidly affixed to the turntable. There is no movement...I tried hard to move it. I'd be interested in knowing if anyone reading this with a VPI arm has play in the base of their arm.
Restock
The drive belt that TW use are not rubber. Apparently they are a mix of compounds specifically made for TW Acustics.

Stiltskin, I guess DPS is sourcing their belts from the same place - from my examination they were awfully similar.
Stickman451, if you are considering alternative tables, take the DPS turntable into account as well. Different flavor than the Raven but equally good. Also, the Galibier and Verdier tables are impressive.
I changed from another table with a strong reputation, the Origin Live Resolution with Illustrious arm and the TW one is way ahead in the ways described. The point seems to be attention to detail and solid engineering. It is just well made, seems right. Looking at the belt, Thomas says he spent years looking at different materials.
The core of it's strength to me, is the motor and power supply, it runs rock steady, which seems the basis of its neutral, detailed performance. As an example of build quality, the bearing needs a tiny spray of oil only and the platter took 5 minutes to sink on the spindle, tolerances are so tight. I have been using the basic Jelco arm, but am having the Ortofon 212D fitted next week. That is the arm Thomas uses and recommends for the one.
I spoke to him at the UK Heathrow show and he is coming to Rocky Mountain, hopefully with his new arm. Unfortunately, it is going to retail for 5 to 6000 Euros, too much for me.