Tracking error distortion audibility


I recently unpacked my turntable from a couple of years of storage. It still sounds very good. Several times during playback of the first few albums I literally jumped from my chair to see which track was playing as it sounded so great. After a while I realized the "great" sound was always at one of the "null" points. They seem to occur at the approximately the proper place (about 125mm from spindle) and near the lead out groove. Questions:
Is this common? I have improved the resolution of my system since the table's been in storage but I don't remember hearing this before.
All others geometric sources of alignment error not defined by the null points (VTA, azimuth etc.) are essentially constant through out the arc correct? If so they should cancel out. I assume the remedy is a linear tracking arm but I am surprised at how obviously better the sound is at these two points.
Table - AR ES-1, Arm - Sumiko MMT, Cart. - Benz Glider, Pre - Audible Illusions, Speakers - Innersound electrostatic hybrid
Do linear arms really sound as good across the whole record as I hear at only the nulls with my set-up?
feathed
I would argue that an arc protractor produced on thick paper is superior to the best two point protractor produced on mirrored plexiglass, laser etched stainless, etc. I won't name names to protect the guilty.

Is a paper protractor as good as a precision tool like the MintLP? You'll have to answer that question for yourselves.

I checked the above site and took a look at the excellent FAQ he wrote (the readme file). He points everyone to the fact that his protractor should be in perfect agreement with John Ellison's spreadsheet. He strongly recommends playing with the Ellison spreadsheet, so we're in complete agreement here as well.

I need to play with this a bit. Don't get confused by his inner groove radius and outer groove radius entry boxes. He is NOT talking about the null points (i.e. 66.0 and 120.9 for Baerwaald). I'll play with this and verify it against the the ones I've drawn for the Tri-Planar, and of course, against my MintLP.

I encourage everyone to play with this program. Read his excellent FAQ, and play with the Ellison spreadheet as well.

Another nice stiff paper you can use in place of photo paper is called "card stock". You can pick it up at places that sell an assortment of printer paper (e.g. Office Max).

Hint about cutting a nice record spindle hole. Use a straight edge razor and cut pie shaped wedges (8 of them) to form the record hole.

Start slicing from the circumference of the spindle hole and work your way toward the center. Cut 8 radial lines to form 8 "pie slices".

This will not only get you real close to "nuts on", but the hole will also be self centering if your spindle is a bit wider than the circumference of the hole.

After I sent samples made this way to many of my customers, they became true believers.

The only risk you are taking is that you might learn something (grin).

Cheers,
Thom @ Galibier
Jwglista,
I do not sell the Mint LP protractor. I simply use it with all of my turntable/tonearm combinations.

Let's not confuse my business interests with your inability to properly align your gear.

Thanks.
Whoa, easy. It was more of a joke than anything.

My gear is aligned properly. I'm glad you're happy with the Mint LP.
>>My gear is aligned properly<<

Can't be if you're hearing all the distortion and sibilance.

Good luck and hope you can find the proper tools and skills.
Just to make it clear, I wasn't trying to undersell the MintLP. The fact that we go round and round on this and it gets contentious is a bit silly - especially in light of the voluminous comments on several threads archived in this forum over the past 6 months.

All of the doubters (experienced audiophiles) became true believers, and it's not because they drank the Kool-Aid. They opened their mind to the fact that they may not be as skilled as they might have thought - that a better tool yielded better results.

My take is that it's simple for anyone with a printer to test this for themselves for the cost of a piece of paper.

To date, the only person I've encountered who can achieve the same audible results with a two point protractor as I can with an arc protractor is Frank Schroeder.

So, stop debating this, get off yer duff and prove it for for yourself. If you like what you hear, you can decide for yourself whether it's worth the $$$ to try a MintLP.

Cheers,
Thom @ Galiber