Da Vinci AAS Gabriel


Hi,
I read the TAS review of this USD60K tt. Has any audiogoner out there any first hand experience with this tt and can share opinions? I currently use the TW Acustic Raven AC3 tt with the Davinci arm and cartridge. Wondering if it is worthwhile at all to switch to the AAS Gabriel tt.
128x128alectiong
Dgad, I am with you. Great call out!

Look, there are a lot of ways to find satisfaction in this hobby and none are perfact...

Terry
Before getting into the car and on the road home.........
It might be helpful to re-read the initial post which started this thread.
It is not about "do everybody has to agree upon the sonic quality of the AC Raven in its various incarnations".
Alectiong did ask for any comments and sonic impressions regarding the AAS Gabriel versus the AC3.
So far only Syntax did provide what was asked for.
If some do not like his conclusion then it is certainly not his problem.
None of us can please all the people all the time ( and honestly - none of us want to either....) - not even me..... :-)
Dgad, I know some people might call me an extremist having some tables and a few tonearms. And indeed in some respect I am one - maybe you too, being enganged in writings like this. I did not walk into a shop and bought them all, I collected over the years, especially the vintage ones and did repair and restore some of them. It is really a lot of fun playing with phono-preamps, tonearms, cartridges etc. But I do not sell and buy all the time - I do collect (maybe too much!!).

It is hard to judge which TT is the best sounding in my ears. Some people having visited me were overwhelmed by the many differences in the sound they could hear. Currently I am working with the Nakamichi and the Micro.

But back to our question. I know both producers very well, Thomas Woschnick and Peter Brem. I got in contact with them when both "developers took off". In the beginning they worked together and I was able to audition a Raven with a Grandezza tonearm. I liked this sound so much that I bought the Grandezza tonearm from Thomas (!). Now both people have quite a success and this is wonderful, isn`t it? despite they are running on separate ways. Both produce excellent pieces of audio-gear and do have their community - which is fine.

I donĀ“t think there is any reason that we as consumers or afficinados continue the developer struggle for the final victory. Nevertheless we are allowed to judge the products like we perceive the products in our chains or at audition locations - and we should write in this forum about it.

I did hear the Black Raven at the Munich High-End show, but as I said it to Thomas this was not a good chain to judge the qualities of his new table. By the way it looks fantastic. The big DaVinci, which is a continous improvement project maybe reaching its final stage I heard twice and it is one of the modern masterpieces in my opinion.

I will not buy Thomas new black tiger nor Peters red italian horse due to the reason that my space is getting a little short. I hope you understand...
Audiosix, thank you for your valuable information. It is good, when you support those, who can't read 1 or 2 sentences properly. It would be very helpful, when you will show us that you are a German Designer who is specialized in Electronic repairs and that you know all kind of amps, preamps and that you repaired them all.
Not with original parts, but who cares. Btw. are there more here from overseas who will continue pickin' on me without any information for the thread?