Well, the cartridge manufacturers do already provide the parameter to set the VTF right: - their recommendation of the range the VTF have to be set in.
We will get no more and there is good reason why.
Aside that there is no monetary reason for the cartridge manufacturer to add any mechanical "helpers" - there too is little need.
Analog cartridges for the high-end customer is a luxury market with highly emotional customers. Nothing to quantify - nothing to determine the quality with any measurable parameters.
Similar to high-priced jewelry (at least there are quantifications like purity of precious metal, carat etc.), high performance cars - you name it.
Its individually viewed AND judged performance and personal preferences.
I guess - as frustrating as this might look on first sight to some - that we are doing quite well the way it is now.
Unfortunately this means that setting up an individual analog cartridge to fully show its abilities will always require skill, knowledge, experience and very precise handwork.
But then most of these are needed in all real passions.
There is hardly ever any free lunch out there.
Cheers,
D.
We all agree that a cartridge usually needs some time to reach its designed for operating conditions (velocity). Furthermore we are looking at a bundle of other depending parameters (tonearm, cable, matching impedances, inductances etc.) in interaction with the cartridge and thus influencing its sonic performance.
Next in line is individual sample differences within a production design.
No two cartridges of a given production design are truly identical in the technical sense nor in their technical parameters.
After all most are hand-trimmed or fine-tuned and so they are similar and go for a similar "family"-sound, but are not identical.
We will always need a range to work within.
We will get no more and there is good reason why.
Aside that there is no monetary reason for the cartridge manufacturer to add any mechanical "helpers" - there too is little need.
Analog cartridges for the high-end customer is a luxury market with highly emotional customers. Nothing to quantify - nothing to determine the quality with any measurable parameters.
Similar to high-priced jewelry (at least there are quantifications like purity of precious metal, carat etc.), high performance cars - you name it.
Its individually viewed AND judged performance and personal preferences.
I guess - as frustrating as this might look on first sight to some - that we are doing quite well the way it is now.
Unfortunately this means that setting up an individual analog cartridge to fully show its abilities will always require skill, knowledge, experience and very precise handwork.
But then most of these are needed in all real passions.
There is hardly ever any free lunch out there.
Cheers,
D.
We all agree that a cartridge usually needs some time to reach its designed for operating conditions (velocity). Furthermore we are looking at a bundle of other depending parameters (tonearm, cable, matching impedances, inductances etc.) in interaction with the cartridge and thus influencing its sonic performance.
Next in line is individual sample differences within a production design.
No two cartridges of a given production design are truly identical in the technical sense nor in their technical parameters.
After all most are hand-trimmed or fine-tuned and so they are similar and go for a similar "family"-sound, but are not identical.
We will always need a range to work within.