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Technics SP-10 Tonearm Pod instead of Plinth/Base

Trawling through the Audiogon forums for information on a suitable Plinth for a Technics SP-10, I came across a post by Raul.
Instead of putting the SP-10 in a plinth, he just put the TT on three feet and then had constructed a separate base that only housed the tonearm. (I haven't seen a pic of this BTW)
Following on from Raul's 'Thinking outside the square' approach, I thought I might be able to buy, or have made, a stand-alone 'pod' or rectangular tonearm plinth that could sit along side the SP-10. Has anyone seen something like this that I could buy 'off-the-shelf'?
The advantage of this is that the tonearm is decoupled from the TT and therefore distanced from any vibrations generated by the TT.
A down side is getting the right geometry for the tonearm in relation to the distance from the spindle; and then keeping the pod in the right spot.
If this is all too hard, I might still go with a plinth. I notice an E-Bay seller in Taiwan is offering a Teak plinth cut for the SP-10. Anyone bought one of those?
All comments welcomed!
dsa
dsa OP
63 posts
 
Macrojack- I still say that the resurgence of interest in direct drive TT, in spite of the belt-drive flat Earthers, may deliver a spark in the mind of a smart hi-fi business person.
I'm sure that somewhere in the UK/USA/Oz or elsewhere there is a set of busy hands dismantling a SL1200 for parts.
Like Origin Live and so many other 'cottage' companies, this person's little industry will produce a sparkling gem hewn from a MK2!
Perhaps Sound HiFi has some piece of equipment about to emerge from behind a shop front in the UK.
Yes- the CD is dying faster than the LP (and the LP is shipping more units each month in spite of its death)
However, I always considered the CD a replacement for the cassette. Portable and all that. We didn't get a replacement for the LP. And this point, I believe, addresses the last two posts- there will be a demand fore the LP and LP playback equipment as long as it remains the superior source for the playback of music. (DVD-A and the like are are dead as the dodo, so don't even go there!)
As for your offer on an SP-10. I have one! Besides, I would need 240V. Or may be I do need two... you have planted a seed.
I still, however, am in the market for a nice tonearm. 12", methinks.
As for the age argument, I refuse to be associated with the likes you bunch of 50 year olds! Indeed, I am only 49 and 3/4 years young.
BTW- these postings have wandered just a tad from the centre of the topic...
dsa OP
63 posts
 
The age comment was a dig at myself BTW just in case I invoke the ire of a million baby boomer audiophiles...
downunder
1,328 posts
 
I don't think Grand Prix Audio has made themselves rich out of designing the Direct Drive Monaco turntable at 20K.

There is no way in hell that any of the Japanese companies will make any high end turntables for such little perceived returns.

dsa OP
63 posts
 
Downunder: Yes, I agree. However, now I'm talking about a small operator who buys 2nd hand (or new) SL1200s, pulls them apart and re-births them as a top flight deck with a different arm, plinth, power supply etc. Hello Sound HiFi UK! Are you listening? Take the next step.

As for the GP audio. Nice. Tad overpriced. Yet, for the first 'X' amount of units, they won't make much moola.

BTW- I'm glad to see you chimed-in 'DOWNUNDER'. Could you get some comments onto the other thread I have started? It's about 12" SME arms. It would be great to hear from someone who is into rock/alernative. How does a SME 12" go with that style of music?
downunder
1,328 posts
 
Dsa - not sure I can add any value to the SME thread.

I own the Ortofon AS-309 12 inch arm. Sounds fine with rock/alternative however. Just been playing some new Morrissey & Bloody Beetroots on it.
Who said SPU's can't rock!!
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