dustcover up, down or off


To get the best sound from a TT, should the dustcover be up, down or removed all together? I have always removed my dustcover, but I recently read an opinion that having it in place prevents unwanted vibrations from the speakers from reaching the TT. What are your thoughts? Thanks.
tbromgard
It seems to me that it will be turntable dependent. I see that you have a SOTA Comet. I have a 1980's SOTA Sapphire (still works like new :)), and with that turntable it is unimaginable to me that vibrations and resonances in the cover will be transmitted through the base and then the suspension to the platter or tonearm. I can literally pound my fist on the unsuspended base of the table while a record is playing, with moderate force, with no audible effect whatsoever.

While I can readily envision the concern that Mapman expressed coming into play if the cover is up -- airborne sound waves having increased effect on the suspended assemblies.

With a lighter table, or one with a different suspension design or no suspension, it wouldn't surprise me if these tradeoffs balanced out in the opposite direction.

Regards,
-- Al
I also think it's turntable dependent. However I think it best to "follow the physics" so to speak.

First let's assume a concrete slab-on-grade floor with a rigid rack or stand, or alternatively, a wall-shelf lag-bolted into a brick/block wall. So much for floor/shelf-borne vibes. I mention this because those mechanical vibes are most always of much larger magnitude than airborne vibes -- and if one is trying to hear differences in dustcover configuration, will muddy those waters. And while we're at it, let's assume zero vibes from the TT itself; except for the stylus wiggling in the groove.

The second thing to consider is the path the vibrational energy has to take, getting from the air to the platter (without any dustcover in the way, for now) where presumably it will muck up your music by causing the platter to vibrate or even resonate.

Now I'm not of the 30kg. platter school but with no dust cover, or an open dustcover, heavier is definitely better, simply because of a large amount of resting inertia - especially true if the chassis is sprung. So far so good?

NOPE! Unless your TT is RIGHT in front of the speaker, and the bottom of the platter is somehow sealed off from the room air (not!) the air pressure will be equal on all sides of the platter, with the pressure wave striking it essentially equally from all sides. So, with the DC up or off (doesn't matter which) the air vibrations will not move the platter (suspended or not) because they impinge on it equally everywhere. BTW, if the DC is up (like a sail?) not a problem. Again, it is struck by sound pressure waves equally on both sides. And one other thing, because most dustcovers have a diagonal dimension of roughly 2 feet, they would only "see" frequencies above approximately 300Hz. Everything lower would flow past them with no effect ;-)

In almost all cases where someone detects their TT 'dancing to the music', the vibration is getting to the table thru the floor or (less often) the wall to which the shelf is bolted.

DC down could be a possible problem IF:

1. The edges of the dustcover fit tightly to the plinth all around. And,
2. There is no opening through the bottom of the plinth to allow easy equalization of the air pressure between the top and bottom of the dust cover. And,
3. The DC is made of unbelievably thin plastic ;-)

Other than that, I don't think it matters - except for one thing: it is a DUSTcover after all! And no matter how clean my records, or my air, if I leave it up during play, some damn piece of crap ALWAYS SEEMS TO LAND ON MY RECORD!

So I close it ;-)
.
I've heard many a more mid-fi perhaps setup over the years produce audible, power draining, and clipping causing feedback with cover up and not with cover down, especially in lively rooms with warped records and no low pass filter.

Down is safer in this regard. THat's all I'm saying

I have not had this happen ever since acquiring the Linn Axis 20 years ago.

Higher end rigs are most likely inherently mre resistant to this so I would agree it is probably an issue with some tables and nt others.

I like the Linn better currently with the cover off, but still leave it on and down 90% of the time,

I have in wall wiring runing to speakers in other rooms, so it is pre much a non issue when listening there.
My Indian Medicine Man (retired) who is regularly hired from me for a dance around my turntable, says: "It depends..."