Classics Clarity Vinyl


I'm wondering what others' experience is with these. I've bought 4 titles and I find the vinyl incredibly noisy, as if I had a fireplace active. Violent crackling, sometimes for 2-3 seconds at a time and fairly frequent. Audible from the next room.

I clean LPs with Premier then the Wallker four step process.
madfloyd
I only have the Lung by Tull on Clarity and Look of Love by Dusty.

noticeable pops, clicks, and some groove noise between tracks. Reference Tull I have an original pressing, the mofi, and the normal classic reissue.

I also treat them with love. SOTA record cleaner, with mofi enzyme, deep clean, regular clean rinse and then LAST record preservative and mo-fi replacement sleeve.

Despite the noise I prefer the sonics of the Clarity and find it to be the superior sounding of all the Aqualung pressings I have, BUT, you have to listen through some noise which I can deal with.
Fromunda wrote:

"These records already cost a small fortune. They will refund or exchange."

Not true if you bought directly from Classic Records as I did--Troy Thompson refused to refund money as it is not "their policy." This is especially frustrating as my replacements were as noisy as the original discs, and took two months to receive to boot. As you can imagine, I'm not a happy customer.

Syntax--happy to hear you have silent discs. It's obviously very variable and, perhaps, title dependent.
I have four of the 45rpm box sets and all of them were noisy out of the box, after a wash. I washed them thrice more and the Holly Coles are still noisy (I have both).

For this kind of money one should get dead quiet vinyl without needing to clean it at all. An example, I bought The XX's debut lp for about $15 and this was on flimsy vinyl from a garage rock band and WOW so quiet! Not audiophile grade mastering but the LP was black like a CD. I paid $120 for my Holly Cole Temptations set... Great dynamics, i's are dotted, t's are crossed save for the vinyl itself. This concoction is in my opinion far more hype than anything else.

That said, I have regular older 180g black vinyl from Classics (like the Harry Belafonte Live at Carnegie) which are superb! So a hit and miss company. When I'm paying a premium for their so-called top offerings, I expect what I get from say Music Matters, let alone from a band like XX on whatever indie label they are on.
I purchased a couple of dozen Classic 180gm and they were all perfect. When they went to the 200gm I got about 1/2 that were from good to perfect,(a few pops to perfectly quiet) a few that were bad but not worth the trouble of sending back and about a third that were absolute garbage. My purchases were from Music Direct, Elusive Disk and Accoustic Sounds. Each of these companies completely backed the product and I can highly recommend them. I did get two sets of clarity vinyl and they are both fine but I again have written off classic records, primarily due to their response to this problem. They seem to completely ignore it and continue down the same path.
Just to add more datapoints.....

I own the following three Classics Clarity releases:

Cannonball Adderley, Somethin' Else
John Coltrane: Blue Train
Louis Armstrong & Duke Ellington: ? (I forget which one)

Each of these sounds superb.