Reel to Reel decks


Is anyone out there using reel to reels anymore? I remember at one time(30 years ago), they were probably some of the best analog reproduction equipment out there. Of course, it doesn't matter much if you can't buy good prerecorded tapes. I've googled prerecorded tapes, but haven't found much out there. Anyone have a good source? Also, can anyone recommend a good deck?
handymann
A few comments. First, tape **Can** sound better than the source. Why? Physical vibration. If you have the speakers playing while making the recording, the tape will *not* sound better than the source, but if you use headphones to monitor and turn the speakers off then it has every chance of doing so. In addition, tape can filter out digital noise quite effectively. Try it!

2nd: Tape is known for compression *but only near saturation*! At levels below that no compression at all.

3rd: physicists figured out that the Reynolds Number that bumblebees use to fly is quite different from aircraft! It was the Reynolds Number that was off when the math 'showed' that they can't fly.

So far, tape is the most practical form of state of the art reproduction. LPs, if done direct-to-disc, can be better, but only under ideal playback conditions. Tape machines, even if marginal like a Teac or Sony, can come very close to creating ideal playback conditions on the tape head. This is worth a lot! BTW I have a lot more respect for Tascam machines than Teac. My main objection to Teac and Sony is the quality of the electronics.

The idea that a blue ray is going to somehow keep up with analog tape is absurd. Anyone who has spent time in the studio with state of the art digital (using the master files) and even a rather pedestrian analog system can tell you that. You can hear it in a heartbeat.
I'm just getting into tape myself. A friend had sold me some boxes of factory recorded 7" reels and it turns out about 60 are 2-track from the 1950's (mostly classical), I informed him of the value and he agreed it was a mistake to sell them to me but told me to just keep them (I offered them back twice, there has to be more than a few thousand dollars of 2 track tapes..at least a dozen of the early rca plain box for example, all early titles).

I bought an otari mx5050 mkii on craigslist for $60 that sort of works then unbelievably I found a technics rs-1500US at a garage sale with a spare headblock for $35 a few weeks later (the headblocks are rp-2224 and rp2422). Had to fix the 2/4 track switch on the installed headblock and got it set up. I have played a few of the 2 track tapes and have been amazed (one of the rca tapes from 1956 has a price printed on the box of $18.95, that is a lot of money for 1956!). A few friends had a chance to listen and had commented that they wish there were some current titles available (more affordable than the tape project tapes).

I plan to do a direct output from the heads on the rs-1500 and buy the bottlehead tape head amp. If I hadn't purchased this collection of tapes however I don't know that I would have pursued tape.
thanks C1ferrari, I'm just worried that it will drive me to new levels of buying madness