Why does your turntable sound the way it does.


Ok, we all seem to agree that turntables sound different, and there are any number of upgrades to a basic turntable that are offered, up to and over $100k. But what is it that causes a turntable to sound the way it does. After all, isnt the basic principal that the table causes the groove undulations to pass by the stylus at a certain speed, thereby creating the sound we hear. If that's true, then only something that affects that point of interaction should have an effect on sound. Forget of course, differences in cartridge, tonearm, wire or preamp. Just think of the turntable itself.
Now, we hear that idler drives are more impactful than belt drives, belt drives are quieter and release more inner detail, direct drives maintain speed and tempo better, aluminum platters sound different than acrylic or glass or MDF. Platter mats can change the sound considerably. different bearing materials and precision in manufacture can change the sound. but why?
Is there a basic sound to be acheived when everything is perfect, and what we are hearing is actually a distortion of that sound based on resonance or time or torque or vibration or whatever. Is there a means of measuring what a cartridge can do in a perfectly set up system where there is no influence on the stylus/vinyl interface and the cartridge is free to follow the groove undulations without exterior influence. Is this perfect environment found in the cutting head, or is it also subject to the same influences as the playback stylus. And if so, how can we ever account for that effect in our playback systems.

So, fellow Audiogoners, what do you think has the greatest effect on vinyl playback as far as only the turntable itself, and what do you think can be done to ammeliorate those effects.
manitunc
I'm a bit confused. What are you listening for exactly? The sound coming off of the stylus directly into the air?
mani,

the rtr delivered a more full bodied peesentatiion,like hd compared to standard video. cd finished third. i cannot say this was due to format rather than recording quality though.
but is that a consistent difference you hear between the two, regardless of recording?
Dear Manitunc

Re: "And how do we explain the massive plinth idler table movement whose greatest benefit seems to be the liveliness of the sound."

It's worth remembering that different approaches to a problem can bring different advantages/disadvantages.

So in the context of idler drives, they can:
- provide more torque through a more direct connection between the motor and platter - and so can provide a more livelier sound than say, belt drives, by better overcoming stylus drag etc;
- but, at the same time, bring potential disadvantages of (a) motor and bearing noise, working through this more direct connection, to the platter and stylus and (b) vibrations from the chassis working its way through the plinth to the arm and stylus.

This is why you'll find a particular focus on both improved bearings for idler drives and massive plinths to damp the vibrations coming from the usually larger motors.

FWIW, I'm also in the camp of you can't overdamp a TT enough (unless this means damping the operation of the cartridge in tracking the groove).