Why are records still warped?


This is more of a grouse than anything because I know the molding process won't ever be perfect. Still, here we are in the 21st century in the midst of a vinyl revival. Artists get it and are trying to satisfy us geeks with tasty pressings.

Cases in point are Bennett & Gaga's "Cheek to Cheek" and Lennox' "Nostalgia." Ordered both of them in (live in the sticks so no local source) and one dished, the other warped. Neither are unplayable, but both conditions are audible. Disappointing to say the least on such outstanding efforts.

The same week they arrived, I got copies of Hampton's "Silver Vibes" (mono) and Mendes' "Look Around" used at a swap meet. Perfectly flat with outstanding fidelity, especially considering their age.

Many of my "not" Golden-era pressings from the mid-70s through late-80s also lived up to expectations when I got them home. Many more did not, and that's why I ended up jumping on the CD bandwagon with a Sony CDP-101 in 1983.

In 2015, my digital playback deck is about 1000% better, CDs are better, SACDs are even better still, HD downloads can be superb, but still none of them best vinyl at its best. Unless it's warped.

We have the technology, know better and can better control the process. So, what is up with the warp thing? Is it laziness, budget or what?!?
effischer
180 gm vinyl sux.

From Record Industries Europe's largest pressing plant.

The records are transported by an assembly-line to a robotised storage system (the collator) where they will cool down for approximately 3 hours for 125 grams records and a overnight (at least 8 hours) for 180 grams records. After the cooling down period the records are ready for packaging

http://www.recordindustry.com/about-us/plant/pressfloor

A lot of the pressing plants QC is terrible and do not allow the required cooling time.

Almost every one of my 100gm UK pressings from the 80's are perfect and zero dishing or warps.

180gm vinyl is a POS and has nothing to do with better sound quality.
Just bought two new vinyl albums yesterday. Nora Jones and Diana Krall. Nora's album is an 180 gram album and slightly warped with some pressing, surface noise but not too bad. The other is my second try at Diana Krall's Wall Flower, which sounds fantastic......very quiet.....but terribly dished and some surface noise on side 4. I can make them playable with my center and ring clamp but not completely flat and it requires extra work from my cartridge. This was the same issue as my first copy, however, side 4 of the first copy was unlistenable.

So, 2 albums and both were not at the standard they should be. Back in the 70's and 80's I never had this type of consistent problems with albums. I'll keep these albums instead of returning them, since I bought them while visiting a city 75 miles away. If they were purchased locally they would be returned....yet again.

Because of this posting I think I might actually start making a spread sheet indicating where the albums were pressed, problems with the vinyl and return rate. To say the least, I find all this a very sad commentary on the state of affairs of new vinyl.
NEw vinyl is a big cash grab IMHO. I don't understand why people would subject themselves to it, especially those who remember the golden days of vinyl.
04-01-15: Mapman
NEw vinyl is a big cash grab IMHO. I don't understand why people would subject themselves to it, especially those who remember the golden days of vinyl.

There are many re-releases that are very desirable for analog audiophiles, especially the younger ones like myself. I see many re-issues done by Kevin Gray or Steve Hoffman using the analog tapes as the source, which are hard to resist. For example, Kevin Gray's remastering of Kate Bush "The Sensual World" is simply superb, much better than the already great-sounding original. It's a must-have for any Kate Bush fan. Too bad that such tremendous efforts are wasted by the shoddy pressing jobs.