"Great RCA interconnects under $100?"

As a newcomer to this forum, but not hifi, it's unfortunate that some here think hifi gear is immune from marketing hype and artificial price inflation.

It would be very naive to think that some products - be they cd players, amplification, cables etc - are not sometimes sold at over-inflated prices to try to maintain their status or perceived quality. I'm NOT suggesting all expensive hifi is sold like this, and much of it is worth every penny.
But let's use another analogy (instead of jeans); a $2000 Rolex watch is not 10 times better than a $200 Seiko in terms of build quality, time accuracy and so on. But could Rolex keep their status if they started selling for $500? No way! Much of their retail price is about status and market perception, and high end hifi is not immune… A 1 meter Chord Indigo IC costs about $2500 (in Australia), compared to a 1 meter Merlin Chopin for about $220. Will you hear a 10-fold improvement in sound? I doubt it; many may hear no improvement at all.

To answer the cable question, here's an audio truth: The best cable is NO cable at all. Any extra signal path can only detract from the signal, not improve it. This is why the truly best, most transparent cables cost so much, as they are able to get the signal from A to B with as little interaction as possible, and this requires lots of R&D and low-scale production or hand-made products.

Now a reality check: unless you have the same components & speakers as the original recording studio, then your system will never sound exactly the same. This is where HiFi systems become subjective, since the aim is to put a system together that sounds perfect to YOU and YOUR ears (and remember no two people's hearing is identical).

Of course you can buy excellent interconnects for under $100, just as you can buy excellent CD players and amplifiers for less than $1000. A well made interconnect using high grade conductors and connections (eg some Chord Company and Van Den Hul IC's) can cost well under $100 and do a brilliant job, and maybe even sound better to an individual's ears than a cable costing 10 times that. You may even find a local tech who buys high grade cable and RCA connectors, and puts them together professionally and therefore bypasses all the packaging, marketing & hype that can blow an IC’s price out of the real world; that’s what I did and haven’t looked back.

Anyone who says you can’t either has too much money or sells cables.

I feel better now. I’m going to have a cup of tea to prepare for the spray I’ll receive for this post... :)

Now a reality check: unless you have the same components & speakers as the original recording studio, then your system will never sound exactly the same. This is where HiFi systems become subjective, since the aim is to put a system together that sounds perfect to YOU and YOUR ears (and remember no two people's hearing is identical).

Here, here, Carl! I raise my morning coffee to toast your excellent post. I might add to your accurate statement above, that even if you had the same gear, connections, etc. it would sound different in a different room. Further still, even if you in the actual recording studio at the time of recording listening to the very gear the engineer was basing their own decisions upon, it may not be your...well, cup of tea! I'm taking off on your caffeinated beverage theme--I trust you don't mind. You may actually much prefer your very own home stereo that you've assembled through years of trial and error, and that stereo may sound very little like the the monitors in the recording studio. So much for "fidelity". Or as Jack said, "...Truth?!..You can't handle the truth!!!"

Being a great fan of fine time pieces, though not at all a fan of status symbols, I can say that I've never seen a Rolex I found in the least bit attractive, nor will you ever find one on my wrist. There are many very expensive watches I find stunningly beautiful, weird as that may seem to anyone who doesn't give a toss, and I do appreciate the aesthetics of that art, as well as the craftsmanship that goes into designing and building the works of those hand-built timepieces (although you never really see them unless you remove them from your wrist and pop the back off). Similar arguments can be made with the gear we're talking about (hand-made in small batches by passionate people who've put tremendous R&D time and dollars into producing something that arguably does the same thing as items far less expensive), though the direction here seems to be aimed more towards function than form, probably because no one actually looks at IC's much once they're installed. As far as the function aspect of the watch; well, although they may say the same time at any given moment, we all know the Rolex gives mo'betta time than the Seiko, eh?;-) And just like those fat cables in the back of your system, you'll get those knowing nods of approval from all the right people. And the women will smile and make eye-contact, right after they steal a glance at your crotch fantasizing about fat wire, the original Rolex Milgaus (the rarest and ugliest of all Rolex's offerings), and all that discriminatin' good taste that only the privileged few can afford. BTW, the Chinese-made digital watch on my cell phone that's hooked up to a wireless satellite network keeps pretty good time too. I bet it cost about $2 to integrate into the phone.

My coffee is drained, and it's time to go to work. You're absolutely right, it's all subjective. No right. No wrong. As XTC put it, "...it's always been the same, it's just a complicated game."

Marco

Marco, You are really sharp on tube stuff as well as IC's, cables, etc. Got a question.

I'm facinated by the flexibility of a system that has lots of tubes. I just changed to some different power tubes in my amp which really smoothed out the highs nicely, but bloated/muddied the bass a bit. So I put in some more neutral drivers. That really helped with the bass but now the sound was revealing some upper mid-range roll off, so I went into the CDP and changed the tubes to some more neutral tubes. Now its pretty smooth and balanced. Do you think I should try to improve the system by finding cables which may help me improve the system further. Assuming of course that I can? I fear if I find a more 'neutral cable' it will reveal some shortcoming in my 'matching' and I have to start all over. :-)

FWIW, your choice of watch selection analogy is really more on point than any other, I think. I belong to that group that wants an 'old fashion technology', outstanding performance, and a low cost. I settled for a mechanical chronometer/chronograph in a stainless steel case. A divers type watch and clunky. Loses less than 1 minute a month and cost me $850. Love it! The same mindset drives my audio hobby. I also like my VW Passat a great deal for the same reason. Do you think that these posts are about 'valadidation' more than anything else.

Tomorrow I'm going to start reading War and Peace again! :-)

I chose a battery Omega Seamaster after my Seamaster chronometer was stolen. The battery version keeps outstanding time, unlike its chronometer brother, although the battery version isn't as secretly sexy.

The most accurate watches I've ever owned have been Timex.

Oh yes, under $100 interconnects? My opinion is they all mostly provide the same performance in this price range provided one is comparing similar construction (i.e. shielded versus non-shielded, copper versus silver, etc.), so toss a dart and pick one.

Do you think I should try to improve the system by finding cables which may help me improve the system further. Assuming of course that I can? I fear if I find a more 'neutral cable' it will reveal some shortcoming in my 'matching' and I have to start all over. :-)

Well thanks for the high praise, Newbee, but I think there are folks here far sharper than I with the tube gear. Boy, without getting very specific it sounds like you probably shouldn't play with something that's good already...or is it? Is there something still missing? I'm betting you're gonna' play some more, just by the fact that you asked the question. The old adage, "...if it ain't broke..." just doesn't apply to audiophiles. I'm all for experimenting if you have the time and patience, but then when do you stop and say it's good? Gee, that was a big help, wasn't it? One of the very basic things I've noted time and again about materials is that silver seems to me to be fast and revealing and seems to not be great in the bass region. Copper seems to be slower, but does bass betta'. Probably old news to you and anyone with much experience here. A broad generalization at best. FWIW, in my own last fiddling about with wires in my tube system, I kept ending up with silver wires between pre and amp, and copper between source and pre. I kept trying different permutations and always ended up back there.

As for watches, I still wind mine too...I like the ritual. Chrono too; vintage military, yet quite elegant in its simplicity. Oh, and my wife drives an older Passat - great car. Toilet paper? I like Charmin cause of that Mr. Whipple dude. I think he wore a Timex.

Marco