How does one get off the merry-go-round?


I'm interested in hearing from or about music lovers who have dropped out of the audio "hobby." I don't mean you were content with your system for 6 weeks. I mean, you stood pat for a long time, or--even better--you downsized...maybe got rid of your separates and got an integrated.

(I suppose if you did this, you probably aren't reading these forums any more.)

If this sounds like a cry for help, well, I dunno. Not really. I'm just curious. My thoughts have been running to things like integrated amps and small equipment racks and whatnot even as I continue to experiment and upgrade with vigor (I'm taking the room correction plunge, for example.) Just want to hear what people have to say on the subject.

---dan
Ag insider logo xs@2xdrubin
I had not really enjoyed music for quite a while. I spent around $2,500.00 in 1982 for components, which was a lot of money to me. This didn't include speakers, as I had my Rogers Soundlabs Studio Monitors. Somewhere along the way, I lost the need for good sound, as was actually listening to CD's on my computer. Then in April of 2001 I found out my best friend, who happened to be my dog had bone cancer. Sometimes out of the bad, some good can emerge. Being that we were homebound, I started looking at home theater stuff on the net. The more I searched, the more my old love of music came back. I settled on a Bryston SP1, 2 each 4BST's, a 3BST, ProAc Response 2.5's, One SC's, CC one, Sunfire True Sub Sig, California Audio Labs transport, and DAC's, Magnum Dynalab tuner, with AQ python IC's, AQ Caldera speaker cable, and a Toshiba 40H80 digital TV. I'm happy with my choices. I also ended up with some extras such as Totem Acoustic Model One Sig's, ditto center channel, Totem Mites, HSU Research sub, Onkyo A/V receiver, etcetera. I have a stereo setup also, Bryston BP25 preamp, Bryston 4B amp, ProAc Tablette 2000 Sig speakers, Target R4 stands, more AQ IC's and Cable, Rega Planet 200 CD player. That's a lot of traveling through electronics in 6 months. I guess that my point is that it was a distraction at a point in my life when I needed to be distracted. If your audio purchases are causing you consternation, it could help to look at what is going on in your life that you might feel the need to be distracted from. Audiophiles may not consider Bryston/ProAc worthy of their listening, but they sure work for me. I want to extend my appreciation to the members of Audiogon, as I would never have achieved my level of satisfaction without the class, and expertise exhibited every day on this site.
why get off? i have no where to go so i work on secondary systems and video. i love music. it is fun to buy ,sell, and trade. when i finished my main system it was kinda sad. so i put a little av system together in the living room,and a ht system in the hall.it took years of buying and selling to reach where i am. you guys no what i am talking about.
Listener magazine calls it Hi Fi Hell...

The only way to come out is to forget the system & listen to the music. What types of music you listen to will determine what equipment level is necessary. If you're exclusively into classical and audiophile recordings, then you're SOL. You'll need top of the line stuff to be happy, if ever. If, for example, you're into chamber music and/or acoustic jazz, then some decent electrostatic setup will provide satisfaction. In my case, I listen to everything. This is the hardest system to rig, but it is also the easiest one to forget. That's my goal.

The above reason is exactly why I purchased a Technics 1200 turntable vs an 'audiophile' belt drive. I purposedly decided to stay at that level so as not to be trapped in Hi Fi Hell. I used to work at an Audio/Video store in my senior year in college. There was a $20,000.00 MacIntosh rig with a pair of B&W 801s. The only two rock groups that could be played there were Pink Floyd and Alan Parsons Project. Why would I want such a system? Now I bought a pair of JMlab Tantal 509s. Bingo! I can play classical, jazz, heavy metal, salsa, ANYTHING. The system is revealling enough that it gives me goose bumps on good recordings of good music, but is also tolerant of the rest.

Hope this serves you well.

Regards,
Don't read the magazines. It's a simple as that. Magazine reviews often grossly exagerate (or fabricate) the differences between audio components, making you believe that your 5 year old equipment is obsolete. It's nonsense. (Not that I blame them ... they have to pander to the equipment manufacturers since commercials pay their salaries). With the exception of digital source equipment I don't believe that audio equipment's price / performance ratio has changed at all in the last 20 years. My new Densen B100 sounds very good, but so does my 15 year old Cyrus2/PSX (driving 10 year old Spica Angelus speakers). Quality then is quality now, and if you write the cost off over 10-15 years you'll afford a much better rig than if you upgrade every 2 years.

I got off the 'go round for about 7 yrs. Back then I was starting a family and really couldn't afford the gear I really liked so I relied upon whatever local used gear I could pick up here and there. Where I live the pickin's were and still are very slim; I got what I could tweaked and enjoyed the music. After pouring through a 4 yr subscription to Stereophlie I really was deep into my cognitive deprivation, so I trashed 'em all and got out! Now I am back, but for only a spell, because my access to broadband internet access has brought the wider market place closer to me. The gear I coveted while brand new 7-10 years ago can now be had for fractions of what they went for then. I am like a kid in the candy store :-) My taste have always been modest, so products from the like's of Adcom, Audioquest, CAL, Magnepan and Kimber Kable will keep me happy and content for at least the next 10 yrs. I am off again, soon, and back to enjoying the music, love and life. You all take care and happy listening.