2. amps-preamps
  3. 986669323

To tone control or not to tone control

I recently stepped up to a Conrad Johnson PFR preamp to mate with my CJ MF-2200 amp (200 wpc). Was previously running an Adcom GTP-450 pre/tuner which had bass/treble controls which help to compensate for those recordings which are recorded poorly. Though the CJ PFR sounds really good on most of my cd's there are some of my favorite artists whose recordings are really pitiful. Is there a good tone control which I can use on the PFR to use for these poor recordings? Is there a way to connect both preamps to one system. I do have an older cdp that I could connect to the Adcom preamp for the poor cd's and use the main system for the good stuff. I have also thought of trying a subwoofer to help with filling in the bottom end since most of the poor recordings are R&B and Rock N'Roll and that is where they seem to be lacking the most. The rest of my system consists of a Sherwood Newcastle 980 cdp and Infinity RS 5000 speakers (12 yrs old) and next to be replaced. As always your help is appreciated
128x128artemus_5
frap
202 posts
 
Whats up Doc? I'll buy the tone control argument, but I got real problems with the tube one. Have you witnessed the evolution of solid state since the early 60s? I have and can tell you that it took solid state untill the 1980s before it became even mildly competitive with tube circuitry. The reaction we had to early solid state was the same one we had with early digital. "Is that a violin or a buzz saw. It turned this wonderful, all tube, Living Stereo recording of Heiftz into a buzz saw...on BOTH occasions! Today, solid state amplifiers are of course much improved, but high end manufacturers are trying to get them to sound tubelike, not vice versa. Even RCA and Mercury saw it that way when the reissue series for Living Stereo and Living Presance began. They just were not able to get the desired result with Solid State. By the way I have never heard a solid state amp or preamp sound as real as a tubed one...not even once. Sorry, but thats the reality of the situation.
bruce1483
72 posts
 
I want to know which one of you weasels gave me negative ratings on my posts without having the backbone to state your reasons. If you have a problem with my post, let me know what it is so we can discuss it.
bruce1483
72 posts
 
Let me rephrase that. It should read, who is the weasel, not "which one of you weasels". I did not mean to imply that everyone on this forum is a weasel. Just those that vote negative without bothering to state their reasons.
artemus_5's avatar
artemus_5 OP
412 posts
 
So let's assume I have tubes. Do I use a tone control device to help out these poorly recorded CDs, or should I be listening to LPs and... and... should I use MC or Mag cartridge and should I use silver or is copper ok for the cables?

Come on boys and girls Lighten up a little. Doc makes some interesting points and has an interesting writing style as well. Frap also makes some good points also. The first digital recordings were fit only for a skeet shoot and nothing more. I don't think Doc was trying to blast tubes as much as he was the industry and its marketing techniques. Do I really need to spend $300 on an interconnect or $2500 on speaker wires? As for SS vs tubes that is a matter of preferance. Every technology has its adherents. But at the end of the day it comes down to: "This music sounds fantastic" or " This music sounds crappy". I am trying to obtain the former at the least amount of hassle and money.
gregm
3,021 posts
 
Artemus, I would be interested in the results of the tone-control "tricks" suggested above -- if U have the time & feel like it, do give us feedback.
Thanks!
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