Speaker Cable Recommendation


I have the Krell KAV-500 amp and Dynaudio Contour 3.0 speakers. I'd be interested in hearing anybody's opinion on an excellent 3-figure (new or used) set of cables to connect them. I listen to mostly rock/pop, with a fair amount of Jazz thrown in. Also, the next upgrade is going to be for a beefier two-channel Krell amp if that figures into any recommendation somebody might have.
kthomas
Carl: Could you share what the interconnects between your components currently are. I know you have the REference CD50 but donĀ“t recall the rest of your equipment.Thanks
That was one of THE BEST set-ups, i've heard to date. Krell-Dynaudio 3.0 (number one is still, Wadia, Vac, Avalon) Ok, this is the cables used, including interconect: Krell Cogelco Yellow (balanced), QED Qudos Profile 8 (biwired). I don't know how much it costs, but demonstrations were performed with this cables. Good Luck
Hi Tom,Find a great used deal on the 1999 MIT High End Series Shotgun cables.In my system they do everything very well and better than anything else that I tried.You will usually get your money back on a net resale if you are not happy with the cables ,as popular used gear maintains its price. Good luck.
Sol, I use MIT 330 Shotgun, both RCA and Proline (my linestage is rca only right now, when I use it). The Proline is the best bang for the buck, I got this 2 meter pair for $550 used. There might be something out there better for the price, but I've heard many of them, and I doubt there is...I really do...at least with similar systems to mine. MIT has had a few duds, but when they get one right, they're better than all the competition! Guys that don't like MIT, have not heard these latest "High End" series. I also found a terrific deal on a 4 year old 350 Shotgun EVO RCA a couple of months ago, and will try to compare it to every RCA interconnect around that I can, to see how the rest measure up. You wouldn't believe how "not there" THIS cable sounds. Anyway, the 330 Shotgun Proline connects the balanced output of my CD50 to the balanced input of my Krell, and the improvement was astounding (in every way) over even the 330 Shotgun RCA (connecting unbalanced). I don't know if equal credit should go for both the cable and the balanced connection, or if one should get more credit than the other. The Proline does add a "CVT coupler"...but, the CD50 does sum the output of the differential DACs (many balanced players or DACs do NOT do this), so that the advantage of differential operation can be realized from the RCA outputs. As for Krell, I've never met anyone that thought a "Krell-anything" worked as well unbalanced, as balanced, so perhaps that aspect alone accounts for the higher percentage of improvement.....................In any case, the XLR version of an interconnect practically always seems to have slightly different charactersistics from the corresponding RCA version, and usually the XLR version is better...but not always. Just like balanced operation is perhaps usually better, but certainly the circuit topology is a huge factor there (depending on what the designers prioritized).
I haven't heard the speakers so my recommendations are not based on this particular combination of components.However, I really like the Kimber cables. I think you usually get the most for the dollars spent. Not knowing how long the run of speaker cable you will have to have i would start out with the 8TC and move up the chain trying to keep within your budget. The other speaker cables that i reallly like are the AudioQuest Dragons. i think that they ar now no longer being produced, which might mean that you could get a great deal on used ones, which might mean that you could get them on your budget (again depending how many meters you will need. Good Luck Joshua