INTERCONNECT-advice from knowers!


I am looking for reccomendations on diffrent interconnects to try in my system. My system consists of Dunlavy 4s, BAT VK150se amps, and Wadia 860. I have been using Harmonic Tech Pro Silway 2 balanced, it seems a little lean in the mids, and soft in the bass, but the images are so sharply defined, with a wide, wide soundstage that I keep coming back to it. I also for coparison have TARA Master Gen 2 which improves on the HTs weaknesses, but it seems to blur images together, and has a darkish treble that I don't prefer. Audioquest Lapis is also onhand for comparison. It seems to land somwhere in between the HT and TARA cables. I consider it the most functional of the 3 mentioned, but I would like to find a cable that keeps the strenghts of the HT and improves on it's weaknesses. I am getting a set of the Coincident interconnect for comparison. I would like to get recommendations from you guys who have worked their way up the ladder. My budget is 2k or less. Thanks, -Ryan
128x128ejlif
I would recommend the Dunlavy Interconnects, Tice interconnects and the JPS Interconnects. JPS makes an interconnect for 299, which just got a rave review.
Hi Ejlif, I have a pair of Dunlavy athenas fed by VTL 185 monoblocks and 5.5 preamp with an ARC CD-2 and pro-siklway II. I feel exactly as you do pertaing the desire to keep the detail and soundstage but fill in the gaps with the HT cables. What speaker cables are you using. I have the Pro-9 and i'm not sure wether to change out the Whole HT line and start over or just work with changing the interconnects. Carl, sorry for my ignorance but who makes the Diamond X-3, Coincident? thanks
Audio Musing is the magazine that raved about the JPS interconnects for 299. This is a good magazine, because they will criticize a product, if they dont like it. Here's there site. http://www.audiomusings.com/
Go for the Coincident you will love them.I have tried JPS,Nordst,Wireworld,MIT.The CST-1 are very very good.
Ejlif, yes I tried the Silversmith, both interconnect and speaker cable. BTW, Jeffrey Smith is by far the nicest cable guy you'll ever run across, IMO. My take ON THE SOUND was: The interconnect was the smoothest tonally, of all SILVER cables I have heard. The PENALTY for this smoothness IS HIGH, though. It was, FOR ME, dynamically laid back, and diminished the sense of "timing" in the music. The closest interconnect that I have tried so far, to the Silversmith, has been the pre-production Vantage all-GOLD-conductor interconnect from England. The Vantage is better at the sense of timing, and also seems to have the deepest bass extension (NOT the most "slam" or "weight", however....quite the opposite actually). The Vantage Gold has the nicest midrange clarity and warmth so far of any ic I've tried (better than my 350 EVO), but very little dynamic realism (UNLIKE the 350 EVO, for instance...it would be the polar opposite in terms of dynamics in the midrange/the whole range...the NBS King Serpent 3 had similar dynamics in the midrange to my 350 EVO, but this was confined ONLY to the midrange). However, the midrange of the Silversmith interconnect was very similar to the Vantage, as I hint at above. But again, the sense of timing was diminished so much with the Silversmith, that it put me off, especially considering the price of the Silversmith ($1600, I think). Mr. Smith informed me that I was "the only one who has found this with his cables"...and I told him I was ok with that. I still like him, cause he is kind, and he has built speakers (the most noble thing anybody can do, IMO)......................................Peizo: You aren't a fan of the top of the line Meadowlark speakers, are ya? ("piezo", their tweeter is the Audax oval piezo-motored one).....AUDIOQUEST, of course. Why do I not think that you've been reading all the mags for very long??