SME V tonearm versus Rega tonearms on Michell Orbe

You might want to explore the SME iV.vi if you are using an MC cartridge. The iV.vi was made to work with MC's and is suggested by Sumiko. If you get the VTA option and the breakout box, it is essentially the same price as the SME V. I frequently listen on an Orbe with the iV.vi and they are a very nice compliment to each other. Stepping down to the Rega makes little sense for the caliber of table and cartridge you are talking about.

I've just bought the Orbe SE + SME V + Benz M2 about 6 months ago. I had contemplated about the OL RB 250 as the option. For the price, the OL RB250 is hard to beat. Don't bother with the original RB250 arm, the OL mod is worth the additional few hundre bucks! However, the Michell tables were designed using the SME V arm. The SME V have more synergy with the Orbe than the Rega arms. I think the SME was SLIGHTLY bettered than the OL Rega in terms of fuller sound, wider soundstage, and more bass. (stress on slightly) But the OL RB250 comes very close to the SME V for a fraction of the price. It's that high-end thing, you pay $$$ for that extra 5-10% increase in performance. Is it worth the money? You will have to decide. I could not pay $3200 for an SME arm, so I had settled for an OL RB250. But while I was in Hong Kong earlier this year, I found the SME V from an authorized dealer was only selling for $1800. That was cheap enough for me to abandon the OL RB250 idea, and went for the SME V.

If you decide to get the OL RB250, it might be cheaper to get the arm directly from Origin Live from England. It would be cheaper than buying the arm here and sending it to OL in UK to get modified in most cases. Make sure you get the whole mod package. Like what others said earlier, adjusting VTA would be a pain in the butt on the RB arms. Good luck!

Thanks for all of your responses. I am inclined toward the SME V because it has adjustable damping with the silicone trough and the arm itself is lined with a damping material. I have convinced myself that a touch less brightness in my system will suit me and a bit of added bass and lower mid warmth won't hurt - I can always work that out (make the sound leaner) with tube selection and put a little "edge" back in the tonal mix.

The SME V also offers really good set up tools and methods for fine adjustment that the Regas do somewhat poorly. Taking the arm on and off to insert washers strikes me as a bit primitive. I also understand that the Rega arms are very sensitive to the pressure of the nut on the underside of the arm affixing the arm to the armboard. I do not want to fiddle with that too much. I also do not think that the Regas offer any real adjustment to azimuth, though the SME is not easy to adjust in this way.

No order placed, yet. Steer me right if you have additional thoughts!

The VTA and VTF with high-end cartridge needs precise setup to extract the best. The exactness makes the jump from good sound to magical transformation. OL or not, whether the RB250 is a good arm is meaningless when the cartridge cannot be set-up accurately.

It works fine if the cartridge body happens to match the physical geometry Rega had in mind. Similar problem with Aro, while it has VTA, it cannot adjust overhang.

I had 3 RB250 and all the mods, trying very hard, they are not in the league, just another Best Buy/Best Tweak. Not a world class arm.

www.extremephono.com

Extremephono, you have just commited a sin! Blasphemy against an untouchable component in the high end audio circles...

The Rega arm is REFERENCE in reviews and, as such, epitomizes class, finesse and status.

Just my .02.