Fully Modded Origin Live OL1 or Stock Rega RB-600?

I haven't compared them, but 375 the OL is good. From a value standpoint alone I'd say don't hesitate to go that way.

The VTF spring in the rb300/600/900 can be defeated by turning it all the way past 3. Or, the spring can be removed and only dynamic balancing is then available. So, that is a non issue when compared to the rb250. I have a rb300 wired with Audio Note pure silver wire (seamless from cartridge clips to RCA termination) and a Michell Technoweight; it has worked very, very well. Very easy to set up and it stays set up (unlike funky unipivot arms like I also have and like the sound but hate to handle).

A seamless run of wire is better than wire using a DIN termination at the base of the tonearm.

Take a look at the recent 6moons review:

OL Silver review

Looked very interesting, in particular since the reviewer and other listeners (Terry Cain etc.) thought that the OL1 sounded better in some systems than the Origin Live Silver.

Did anyone here have a chance to compare the two OL arms? Care to comment on the review?

Rene

Thanks for that great link, really cool site and I really liked the review. Here is my take on it.

Well if you read the review all the way to the end, it says you really need to have the OL silver's tonearm wires burnt in, also they were using the George Wright Phono.

I remeber in the may/June 2002 issue of Listener, in the review of the George Wright pp100c by Pete Breqninger he states

"if you end up buying a pp100c consider a step-up tranny mandatory"

Maybe this had something to do with their first impressions. It also really got me to thinking about what they said on the last page about using a step-up tranny into a mm as the only way to go. I remeber when I was doing that sound was really good.

Here is a copy of the last part of the review where the Silver shines.

"For phono amplification, Terry was using a big underground favorite known for its giant-killing performance: The George Wright-designed and -built vacuum tube phono preamplifier. When I got to Terry's place, his Teres turntable was sitting idle and music was playing through one of Vincent Sanders' computer hard-drive digital powerhouses to warm up the system. Terry's system has it all: Beautiful tone, great dynamics and a very musical yet detailed presentation.

Then we dropped the needle on one of the many LPs we would spin that day and heard pretty much what Pete and I had heard with the burned-in Origin Live Silver in my system - good but not great. "Hey Terry," said I, "Whaddya say we drop in the Aud 23 step-up tranny and see what happens?" "Sounds like an idea," said he. So we did and dropped the needle again. "Whoa!" said I. "Whoa!" Terry tossed right back at moi. All of a sudden everything that had troubled me about the Origin Live Silver arm vanished. In its place was one of the most stunning portrayals of the analogue kingdom I have ever heard - breathtaking! The vocal sheen and sibilance were gone and in its place was real flesh-and-blood vocal magic. The arm now conveyed music that was warmer, darker and fuller without losing any of the detail and snappiness that made it so engaging in my system. The notes became more liquid and fragrant too. Fed by the Auditorium 23 to amplify the Denon 103, I couldn't find a nit to pick with the Origin Live Silver arm. It was a beautifully emotive as well as a great-sounding presentation of the music. If you have a Denon 103 and a low-gain phono preamplifier, you should run out and get an Auditorium 23 tranny right now! Don't even think about it - just do it! Terry and I ended up spinning disks all day and never got around to getting the second armboard mounted."

Yes, I read that review with interest, and what really floored me was that here were all these experienced guys using a DL103 on an OL1 and OL Silver, and not one of them had(or apparently even knew about) the HiFi mod for these arms.

If they cannot find a "nit to pick" with a DL103 on either of those arms, I have some news for them. They are missing about 25% of what that combo could do, and it's only $1 and a trip to the fishing tackle store from knocking their socks into next week.

There are dozens, and maybe even hundreds of audiophiles now using the HiFi mod on their Rega and OL arms with the DL103 series cartridges. It is well known both on Audiogon and on Audio Asylum. Most readers here know what a difference it makes with these low compliance cartridges on these Rega and OL arms.

I wonder why it is so unknown in reviewer circles?
You'd think that at least one of these guys would have heard about it, or possibly even heard one in action.
I guess not.

I was thinking about writing a note to them, suggesting that they try it, and then see what they say about the arm.