Yes Zaikesman, your points are well taken. But if and when there is a consumer level digital format that truly is better than analog mastertapes there are two likely scenarios that could follow. One is that the music business people will insist on a copycode that will render it second rate and delay its release for about a decade; the other is that there will be a substandard "MP3" version of it that will ultimately be less costly and will dominate the marketplace...
Rediscovering the Joy of Digital?
Guys,
I've been into analog for a long time, and it's always been a royal pain in the neck to perform all the necessary adjustments to keep my tt at its best; not to mention the record cleaning rituals and the inflated prices they're charging for high-end analog gear these days.
I bought an early generation CD player back in the mid 80's, a modified Magnavox CDB-650, which was considered good at the time, but is not so good by today's standards. I also invested in some of Audio Alchemy's early DDE's, but they had some problems as well. So I went back to analog and bought a VPI Aries/JMW 10 and more recently, I have moved to a Michell Orbe SE with a Wilson Benesch arm and a Shelter 501 II cartridge.
It took a lot of work to get the Orbe/WB combo to sound its best and in reality, it's not a whole lot better than my much less expensive digital gear, but it sure is a lot more work. It's been my experience that you have to spend a lot more money on analog to get it to sound as good as today's respectable digital gear. I own a Parasound transport, a Bolder Cable modified ART DIO, and a Perpetual Technologies P-1A and it kills most of the Linns, Regas, and all but the highest priced VPI's that I've heard.
With my digital, there's no futzing with VTA, no worries about an expensive and delicate stylus assembly, and I have instant track access. Plus, it sounds virtually as transparent and liquid as analog and eschews those annoying ticks and pops.
My records and gear are sure taking up a lot of space. Perhaps I should dump my whole lot of LPs at the local Salvation Army and be done with it. Then I could sell that expensive analog front end that is a constant source of angst and buy something really cool with the money like a lot more CDs. Whadaya tink?
I've been into analog for a long time, and it's always been a royal pain in the neck to perform all the necessary adjustments to keep my tt at its best; not to mention the record cleaning rituals and the inflated prices they're charging for high-end analog gear these days.
I bought an early generation CD player back in the mid 80's, a modified Magnavox CDB-650, which was considered good at the time, but is not so good by today's standards. I also invested in some of Audio Alchemy's early DDE's, but they had some problems as well. So I went back to analog and bought a VPI Aries/JMW 10 and more recently, I have moved to a Michell Orbe SE with a Wilson Benesch arm and a Shelter 501 II cartridge.
It took a lot of work to get the Orbe/WB combo to sound its best and in reality, it's not a whole lot better than my much less expensive digital gear, but it sure is a lot more work. It's been my experience that you have to spend a lot more money on analog to get it to sound as good as today's respectable digital gear. I own a Parasound transport, a Bolder Cable modified ART DIO, and a Perpetual Technologies P-1A and it kills most of the Linns, Regas, and all but the highest priced VPI's that I've heard.
With my digital, there's no futzing with VTA, no worries about an expensive and delicate stylus assembly, and I have instant track access. Plus, it sounds virtually as transparent and liquid as analog and eschews those annoying ticks and pops.
My records and gear are sure taking up a lot of space. Perhaps I should dump my whole lot of LPs at the local Salvation Army and be done with it. Then I could sell that expensive analog front end that is a constant source of angst and buy something really cool with the money like a lot more CDs. Whadaya tink?
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- 37 posts total
- 37 posts total