What is your opinion regarding electrostatics?


I am planning to purchase a pair of FINAL o.3 ESL/hybrids (made in the Netherlands). Surprisingly, these speakers did not make a review in any major audio U.S. publication, I wonder why....
Has anyone had the opportunity to listen to the Final's?
Power amp: parasound hc-3500 / Preamp by Placette
Musical tastes: jazz/blues/rock & french pop
herve1
You guys just blew me away! This is the best thread I have come across since I've discovered this site. Thanks one and all for sharing your experiences.
Please remember one thing guys ( and "gurls" ): I am basing my statements on personal experience and what i've been able to learn from other "reliable sources" over the years. As such, i have no first hand dealings with any of the Sound Labs or others mentioned here that supposedly go quite low with solid output. I have heard "big" Maggies on more than a few occasions and i would say that they are a 50 Hz speaker at reasonable listening levels.

Part of the problem with panel's is that bass extension is compromised as the volume is increased. Trying to achieve both ( once again ) requires excursion and surface area.

I think that this is one of the very reasons that MANY people shy away from panels or are normally considered for "low to medium" volume installations. Their lack of sustained SPL capability and bottom octave performance become quite obvious after just a bit of listening. While it is possible to achieve those goals with the better designs ( according to what you folks are saying ), it obviously costs quite a bit more than what many folks feel comfortable paying.

Don't get me wrong as i DO like panels. Like i said earlier, my "big" system will consist of stat's on top ( and maybe mids too ) when i finally get it done.

In response to Detlof, you're just a "one of a kind". Believe me, i mean that in the most sincere and fun way. How many other people do you know that would go to the lengths that you have in terms of being in "planar & plasma heaven" ??? Definetly an "audio nut" and maybe even just a "nut" : ) I would REALLY like to hear and see "Frankenstein".

As to Duke's comments, i don't think that you have ANYTHING to worry about in terms of being a "product pusher" or a "name dropper". You've always made your situation VERY clear while offering a solid take on the situation and doing it in nothing less than gentlemanly fashion. If you don't know Albert, you two should hook up and "tip a few". Birds of a feather : )

My comments about finding "unbiased" sources of info were not aimed at you or any specific manufacturers, i simply meant what i said in general terms.

Like Tubegroover said, this thread has been both enlightening AND great fun. Let's try and make 'em all like that : ) Sean
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Tubegroover you've hit the nail on the head. I too love this thread and I'm learning from it.
Sean, I'm surprised that you think of using electrostatic panels just for the highs. An interesting thought. In my practical experience, I've found ALL ESP's I've every listended to somewhat lacking there. As for your thoughts ad personam:
Your diagnosis is right of course: When I was a child, they used to say that there was nothing crazy enough, which I would not try. So there you are...and ahem, its a Golem, not a Frankenstein and drop me line, if you should ever hit these shores. Though you seem to tackle your goals far more rationally than I prefer to do, we seem to be after the same thing and that is what counts.
Cheers to all and happy listening!
Detlof
Sean: having lived with planars & e-stats for 12 yrs, I too would dare advise against yr having expectations from the highs -- especially as new media can go well over 20kHz.

The mids& mid-highs are very fast, granted, but until two yrs ago (when I changed from stats), the +15kHz region couldn't reach conventional speaker levels: witness, Detlof, who uses plasma for the upper highs.

A related subject is placement; with stats firing along the long side of the room, I have been happiest without toe-in at all. And yes, I do sometimes listen to jazz & blues apart from classical. I suppose Detlof, A-Porter or Duke, would be among the resident experts on the placement...

Cheers!
Greg you are right about the toe-in, with stators on the long side of "shoe-box" like rooms. I am just using a very tiny amount of it and another thing should be mentioned, that with stators the distance to the side walls is uncritical for all intents and purposes. Another advantage of dipoles, which is not to be underestimated.