The Biggest Disappointments in Rock and Roll


The history of rock music is a tale of squandered talent, over-hyped failures, and missed opportunities. In too many instances, the portend of greatness is followed by the all-too dismal reality. Here are my nominations for the biggest disappointments in rock.

1.The 80’s: 1976 through 1980 were the most exciting and innovative five years in the entire short history of rock music. Even though, by 1980, the punk revolt had petered out, there was an exciting “anything is possible” buzz in the music scene. The two minute, three chord, punk song had given way to some astonishing experimentation. I was enjoying noises as diverse as Gang of Four, Joy Division, Throbbing Gristle, Public Image Limited, and The Clash.
So, what happened? The airwaves were not conquered by these “post-punk”cohorts. Instead, it was the execrable “as if punk never happened” crew (e.g., Duran Duran, Huey Lewis and the News, Culture Club) that came to dominate. Hip-hop was the only music flourishing in the 80’s that broke new ground. Considering the promising way the decade started (i.e., 1980), it sure turned into a rotten decade for pop music.

2.The CD: The compact disc promised clean, crackle-free sound in a durable format (albeit at a higher price). It s soon became apparent that it was sonically inferior to the cheaper format that it had replaced. The compact disc rendered a sound that was sterile, compressed, and cold. Perhaps it was a fitting format for the cold, sterile synthpop of the day. Think about how much personal computers have improved in twenty years. It is truly scandalous that state of the art audio circa 1976 (i.e., a Linn Sondek turntable w/ all-tube amplification) has not been so dramatically improved upon. The compact disc was supposed to be a great leap forward. We got screwed.

3. Paul McCartney’s Solo Career: While there has since been a critical reappraisal in favor of John Lennon, at the time of the Beatle’s disintegration, it was McCartney who was believed to be the superior songsmith. His imminent solo career was awaited with the highest of expectations. While his solo career cannot be dismissed as a total failure, nobody is calling it an artistic triumph. “Silly Love Songs” and “Ebony and Ivory” do not a legend make.

4. US interest in Jamaican music died along with Bob Marley

5. The solo work of Led Zeppelin members: From the early to mid 70’s, Led Zep dominated the music scene. With the interesting exception of Robert Plant’s most recent album, none of the surviving members have released anything worth buying.

6. The Sex Pistols tour of The United States: This was supposed to be The Big One. Instead, they went to San Francisco, and proceeded to bite The Big One.

7. Elvis Presley’s post Sun Records music

8. The Stone Roses: After releasing what was, without a doubt, the most brilliant and beautiful album of the second half of the sorry ass 1980’s, this most promising of all bands then, as Monica Kendrick would put it, dropped the soap in the showers of the big record company. Barred from recording anything for nearly ten years, they sat out the Britpop explosion that they had created. When they did eventually get around to releasing a follow-up, it was nothing but some lame 70’s style guitar rock rehash. The Stone Roses remain rock’s greatest one-album wonder.

9. “End of the Century” (The Ramone’s Phil Spector produced fifth album): I wanted so much to like it. I was, and still am, an obsessed fan of both the Ramones and Phil Spector. The trouble was, it just didn’t work. It sounded trite, forced, and artificial. The tracks bespeak blatant toadying to the tastes of AOR programmers. Sure, it got more airplay than the previous Ramones releases; but at what price? This awkward disc didn’t give them the superstardom that their previous records should have earned them. The only thing worse than selling out is selling out, and finding no buyers.

10. The Ron Wood era Rolling Stones: Mick Taylor was by no means a first-division player when he was recruited for The Stones. However, with him on board, the Stones produced their very best work. Ron Wood was an established A-list player when he joined the band. At the time, the expectation was not only that, with Woodie on the team, The Stones could make records comparable to “Sticky Fingers” or “Exile on Main Street, ” it was even suggested that they would thus be able to make even better records! Instead, the Stones degenerated into a campy, overpriced, touring nostalgia act; kind of like a post-greaser Sha Na Na that charges 150 bucks a ticket.
tweakgeek
Good point about Bowie, Tok20000:
The long-term reputation of Bowie would have been best served by his sudden death say, right after 'Scary Monsters' was released. Bowie's horrid "Let's Dance" is the absolute epitome of the sterile, soulless sound that plagued pop music in the 80's. You should check out the surprisingly good film "Velvet Goldmine." In this movie, a character closely based on Bowie's 80's persona gets a well deserved skewering.

Jrwr7:

Uhhh...Izzy Stradlin isn't dead yet. He is working with Slash to put together a new band.
Each time I sit down and listen to King Crimsons album RED I can't help feeling after the last great piece on the album STARLESS that a impossibly gigantic door had closed on an entire era of music(mainly progressive music)and that the thinking persons desire to hear challenging new forms has ceased to be a possibility unless one does it on their own.Please see my question in the music category for another angle on whats going on.
The '76-'80 time frame that Tweakgeek is so fond of found yours truly scrambling to find some tunes to buy. Thankfully, Steely Dan and some of the Fusion people saved my sanity. This period was filled with Disco and the beginnings of large corporate buy-outs of local radio stations, thus limiting exposure of really creative artists. I can understand however, a certain age group during this time enjoying the grunge sound. No insult intended Tweakgeek. The difference is probably an age thing.

The 80's just about destroyed my interest in music. Between the force fed new digital medium WHICH HURT MY EARS and the likes of Madonna, Cindy Lauper, Michael Jackson and others I found myself buying re-releases on premium vinyl. Geez, the print industry even gave Joe Jackson column inches devoted to his belief that the guitar was on it's way out. Give me a break.

In my opinion, the greatest time frame for innovation and great work was 1965-1973. I have since developed a great appreciation for music from the '55-'65 era, especially the Motown sound and r&b.

Our worst enemy now appears to be radio and the music industry itself what with canned programming and the out of proportion fear of copyright infringement. The sad part is that there are so many great artists who supplement their day jobs by playing for us most evenings in the bar scene.

I only wish I would have discovered Jazz around 1975.
Hey Octopus,

Thanks for the correction, I thought I had something wrong in my lement. I know one of the original band members died recently, I just can not recall their name......John