The Biggest Disappointments in Rock and Roll


The history of rock music is a tale of squandered talent, over-hyped failures, and missed opportunities. In too many instances, the portend of greatness is followed by the all-too dismal reality. Here are my nominations for the biggest disappointments in rock.

1.The 80’s: 1976 through 1980 were the most exciting and innovative five years in the entire short history of rock music. Even though, by 1980, the punk revolt had petered out, there was an exciting “anything is possible” buzz in the music scene. The two minute, three chord, punk song had given way to some astonishing experimentation. I was enjoying noises as diverse as Gang of Four, Joy Division, Throbbing Gristle, Public Image Limited, and The Clash.
So, what happened? The airwaves were not conquered by these “post-punk”cohorts. Instead, it was the execrable “as if punk never happened” crew (e.g., Duran Duran, Huey Lewis and the News, Culture Club) that came to dominate. Hip-hop was the only music flourishing in the 80’s that broke new ground. Considering the promising way the decade started (i.e., 1980), it sure turned into a rotten decade for pop music.

2.The CD: The compact disc promised clean, crackle-free sound in a durable format (albeit at a higher price). It s soon became apparent that it was sonically inferior to the cheaper format that it had replaced. The compact disc rendered a sound that was sterile, compressed, and cold. Perhaps it was a fitting format for the cold, sterile synthpop of the day. Think about how much personal computers have improved in twenty years. It is truly scandalous that state of the art audio circa 1976 (i.e., a Linn Sondek turntable w/ all-tube amplification) has not been so dramatically improved upon. The compact disc was supposed to be a great leap forward. We got screwed.

3. Paul McCartney’s Solo Career: While there has since been a critical reappraisal in favor of John Lennon, at the time of the Beatle’s disintegration, it was McCartney who was believed to be the superior songsmith. His imminent solo career was awaited with the highest of expectations. While his solo career cannot be dismissed as a total failure, nobody is calling it an artistic triumph. “Silly Love Songs” and “Ebony and Ivory” do not a legend make.

4. US interest in Jamaican music died along with Bob Marley

5. The solo work of Led Zeppelin members: From the early to mid 70’s, Led Zep dominated the music scene. With the interesting exception of Robert Plant’s most recent album, none of the surviving members have released anything worth buying.

6. The Sex Pistols tour of The United States: This was supposed to be The Big One. Instead, they went to San Francisco, and proceeded to bite The Big One.

7. Elvis Presley’s post Sun Records music

8. The Stone Roses: After releasing what was, without a doubt, the most brilliant and beautiful album of the second half of the sorry ass 1980’s, this most promising of all bands then, as Monica Kendrick would put it, dropped the soap in the showers of the big record company. Barred from recording anything for nearly ten years, they sat out the Britpop explosion that they had created. When they did eventually get around to releasing a follow-up, it was nothing but some lame 70’s style guitar rock rehash. The Stone Roses remain rock’s greatest one-album wonder.

9. “End of the Century” (The Ramone’s Phil Spector produced fifth album): I wanted so much to like it. I was, and still am, an obsessed fan of both the Ramones and Phil Spector. The trouble was, it just didn’t work. It sounded trite, forced, and artificial. The tracks bespeak blatant toadying to the tastes of AOR programmers. Sure, it got more airplay than the previous Ramones releases; but at what price? This awkward disc didn’t give them the superstardom that their previous records should have earned them. The only thing worse than selling out is selling out, and finding no buyers.

10. The Ron Wood era Rolling Stones: Mick Taylor was by no means a first-division player when he was recruited for The Stones. However, with him on board, the Stones produced their very best work. Ron Wood was an established A-list player when he joined the band. At the time, the expectation was not only that, with Woodie on the team, The Stones could make records comparable to “Sticky Fingers” or “Exile on Main Street, ” it was even suggested that they would thus be able to make even better records! Instead, the Stones degenerated into a campy, overpriced, touring nostalgia act; kind of like a post-greaser Sha Na Na that charges 150 bucks a ticket.
tweakgeek
ROck really hasnt recovered from the loss of Hendrix...the most exciting direction for me is in electronic music...drum n bass,trance,dub,trip-hop,etc...by Massive Attack,Grooverider,Photek,Chemical Bros.,Air,etc..I also would like to second GNR...they could have been the next stones...instead...Axl wanted to be Elton Jon...and he doesnt make a good queen...
Kurt Cobain. Making music for 5 minutes, offs his pathetic self, and people act as if he was Bach, Beethoven, and Dylan all rolled into one. In the whole of Rock and Roll his contributions equal a pimple on a flea's butt. While we are on it: why didn't Courtney Love join him?
Phasecorrect,
I am in total agreement with, say nine and a half, of your 10 points. I too have been disappointed by the folks that you mentioned, especially the squandered, or perhaps dried-up, talents of Rod Stewart. However, I do think that some of Iggy's solo stuff, especially the album "New Values," ranks with the best Stooges material. Your point is well taken, though. I would argue that Iggy wrote a brilliant song for the "Repo Man" soundtrack, and that everything he has recorded since has been mediocrity leavened with crap.
Without question, the biggest disappointments for me have been the premature deaths of several artists, including the following:

Buddy Holly
Jimi Hendrix
Nick Drake
Ian Curtis
John Lennon
Janis Joplin
Ronnie Van Zandt
Kurt Cobain
D. Boon

Obviously, the list is much longer, but I shudder to think of the music we lost when we lost these people, most of whom were in their prime or not even there yet when they died. The one name not recognizable to the average rock fan (in addition to Ian Curtis of Joy Division) is DBoon, singer/guitarist from the Minutemen, one of the most underappreciated bands in rock's short history. They had a sound like no one else, and had just begun to find their stride when DBoon was killed in a car accident on Christmas Day (1985, I think). An incredibe waste.

I know there's a backlash against Cobain, but I think it's a bum rap. The man was the genuine article, as far as I am concerned. He wrote and played with an unbelievable mix of intensity and poignancy.

Other disappointments--Neil Young's weird 80s records, the Replacements last couple of records, the proliferation of boy bands, etc.--pale in comparison.