I really don't think the ordinary recording engineers really care about what kind of speakers they use. If they have the money, they go for the fancy TAD or the ultra expensive Westlake. If not, Yamaha speakers or anything that can make some noise will do. Of all the recording engineers in this world, I think 99.99% of those recording engineers don't really care about the sound quality of their works since they don't have any advanced audiophile background. They really don't know what are possible....like soundstage, focus, separation...etc.
But when the recording engineers have advanced audiophile background, their approaches to recording are totally different. They really care about what kind of amps, cables or speakers.... that are in the recording chain. And it all shown in their works.
I don't think there are any major differences between the professional and consumer speakers at all. If the end user knows what he(or she) is doing, they will both sound wonderful......
But when the recording engineers have advanced audiophile background, their approaches to recording are totally different. They really care about what kind of amps, cables or speakers.... that are in the recording chain. And it all shown in their works.
I don't think there are any major differences between the professional and consumer speakers at all. If the end user knows what he(or she) is doing, they will both sound wonderful......