Listening fatigue

I would test if reducing early reflections work. I would make a couple of 5” or 6” diameter thick paper rings with 1.5” hole in the center. And attach them on tweeters using double side tape. Also, put towels on the top and side of speaker to stop resonance from cabinets.

Ditto the early reflections. Added bonus: by minimizing early reflections later reflections are minimized geometrically. Minimizing corner reflections and slap echo is also important. But I would avoid Sonex like the plague.

Listening fatigue can be either the result of too much
volume overwhelming the sensitivity of your ears, or there
may be components within the stereo system that just don't
work well with the overall system. For me the biggest culprit has been my choice of speakers. Heavy and very tall tower speakers by their build nature can physically overpower a stereo room because they are meant for a large room setting and their sonic signature is just too much for the ears to handle for any length of time. I have also noticed sharpness, shrill, and bright sounding in a speaker to be factors making listening a short time stint. Given that all components are of equal quality, a good speaker blends well with the entire system allowing for music to be enjoyed to hold a lisener's interest at low soft levels or in varied moments of loudness.

Here is some additional information on lister fatigue that I have copied from the Teck Talk forum:

"Listener fatigue is nearly always a consequence of distortion.

Two distortion sources are IM distortion and odd-ordered harmonic distortion. Both are known to be irritating to the human ear- and this has been known since the early 1950s.

What is less understood is some of the studies of the human ear that have occurred since then that relates directly to listener fatigue.

One of those things is that the ear/brain system uses odd ordered harmonics to sort out how loud a sound is. To do this it is very sensitive to the presence of odd ordered harmonics. Audiophiles have terms for the presence of trace amounts (less than 0.01%): hard, harsh, bright, etc.

This is why two stereo pieces can measure flat on the test bench but one might sound bright while the other does not.

In addition it is useful to know that the ear is tuned to birdsong frequencies. Knowing that makes its easier to understand how the ear can be that sensitive to the presence of the 5th, 7th or 9th harmonics.

The ear translates distortion as tonality. A 2nd harmonic is interpreted as warmth, a 7th as brightness.

IM (Intermodulation Distortion) is a form of harmonic distortion that the ear usually translates as brightness. This is where two more more tones can interact in the stereo system to produce other frequencies, the sums and differences of the tones involved. It is caused by non-linearities in the system, any place where the tones can interact, such as a feedback node in an amplifier, poor power supply design or a breakup in a speaker cone.

There is a special form of IM distortion called inharmonic distortion that only occurs in digital products (good luck looking for the specs on that- most manufacturers don't publish the numbers). These are intermodulations between a fundamental frequency and the scan frequency of the recording rather than harmonics based on the fundamental tone as is encountered in analog recordings. The ear treats these as brightness as well.

There is a tipping point in the human hearing perceptual system where the ear will favor distortion as tonality over actual frequency response errors. As a result is is often more important to have low distortion rather than flat frequency response. For this reason its usually best to reduce the types of distortion that the ear finds most objectionable and noticeable before going after frequency response errors."

Fantastic summary as usual, Atmasphere!