I need help diagnosing a sibilant problem on vinyl


Rega Planar 2 turntable. Rega Elys 2 cartridge. Audible Illusions Modulus tube pre-amp. Audio Research D-51 tube amp. Rogers LS-2a speakers. Oppo BDP-95 disc player.
My discs, especially the SACD's sound fantastic. Vinyl instrumental's sound good. Anytime there's an "S" in the vocals on vinyl there's a harsh sibilance that doesn't make sense. It would only make sense if there was a cartridge/stylus problem or a phono stage problem in my pre-amp.
Before I take it to my very expensive, very slow HI-FI tech, does anyone out there have an idea of what it could be?
sprintz699
Btselect,

Thanks for asking. For clarity, I didn't mention records that are hard to track. I mentioned records whose HF's (particularly sibilants) are difficult to reproduce cleanly. These are not the same thing, since systems may distort HFs even when the stylus traces them perfectly.

Even distortions that sound exactly like mistracking are often not so. Some phono stage distortions can mimic mistracking even to experienced, professional ears. Frequent contributor Atmasphere has described this on several threads.

A few example LPs:

HARD - Alison Krauss, 'Live at Union Station', MOFI reissue
The inner grooves challenge many systems, though they play cleanly in mine.


REALLY HARD - 'La Boheme' with Renata Tebaldi, London OSA 1299
Mimi's aria at the end of side 1 distorts/congests on most systems. This is one LP I use to test any visiting component or potential upgrade in my own system. I've only heard it play truly clean a few times.


ABSOLUTELY FRIGGIN IMPOSSIBLE - Rene Clemencic et al, "Les Plaisirs De La Renaissance, Danses Et Chansons", Harmonia Mundi HMU 963
The last two tracks on side B will drive nearly any system into fingernails-on-blackboard distortions/congestions. I can empty a room full of audiophiles just by pulling this LP off the shelf, lol. I've heard it play cleanly exactly once, in my system but with a better tonearm than my TriPlanar VII (which is no slouch). Every component in the system must be top class to avoid distorting the closely spaced harmonics of Clemencic's counter-tenor, an alto recorder which doubles him and the many echoes in the stony room where this was recorded. IME, this LP is the acid test for a system's ability to sort out tightly packed upper mids and highs. Try it if you dare. ;-)
I would suspect a damaged stylus first, from experience this was the cause of such sibilance in my cartridge many years ago.
Doug, There's not too many adjustements you can make with Rega arm. Proper alignement, VTA and nothing more to adjust there. If gazilions of trial-errors made and still the damn sibliance, than it's time to inspect the cartridge.