Telarc 1812 revisited


I've posted several threads about the trackability of this record and have received many scholarly answers, with emphasis on physics, geometry, compliance, weight, angles,price and all sorts of scientific explanations about tonearms, cartridges, VTA, etc, etc. Let's cut to the chase: I have a 1970's Pioneer 540 in the garage I bought for $5 at a thrift store plus an Audio Technica cartridge for which I paid $30 This combo. tracks the Telarc 1812 perfectly without problems while my $4000 Rega and $1200 Project bounce out of the grooves.. I'd really finally like to get some explanation and resolution as to this discrepanccy
boofer
If the stylus does not track groove modulations accurately, the resulting signal cannot be an accurate reproduction of the original. No argument there.

That said, it's conceivable that the ability to track the Telarc 1812's extreme amplitudes, velocities and clipped waveforms may only be achieved by compromising other performance parameters. I'm no cartridge designer, but as Raul well knows, improvements in one area often impair performance in others. In some instances, every solution may involve compromises.

If such is that case here, if better performance on most records can be achieved at the cost of not being able to perfectly track rare and unrealistic extremes, my own choice would be in favor of the music I actually listen to.
Heh... I was writing my post while Jonathan was posting his. We're saying the same things, though as usual he says it better and with more authority.
Hi Jonathan, maybe you can answer my question. Do you think my set-up, using the Kleos, could handle the Telarc??
That Telarc is analogous to a trick...it has no relevance to real music on a real record. If your cartridge/arm can track it fine, if not so what. Its the music that counts.
Fair point Stringreen. Last night I played my old Columbia recording of the 1812. The Valley Forge Military Academy band and cannon made my poor wife jump out of her groove. ;-) And that was no trick.