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FR66s vs Ikeda IT-407 CR tonearms

Has anyone compared the FR66s to the newer Ikeda IT-407 CR1 tonearm? Any thoughts? In previous years, the Ikeda was available with either copper or silver internal wiring but the recent models don't mention anything about the tonearm wiring. Can anyone comment what type of wiring is used in the latest editions? It would seem intuitive that the later Ikeda IT407 should be a better performer than the FR66s having improved material and bearings over the FR66s but the proof is in the hearing.
ddriveman
syntax's avatar
syntax
2,033 posts
 
I did that comparison. I thought, the newer Design has to be better but that was a mistake. The FR-66s is so much better in soundstage, detail and holographic "picture", it was (or, still is) amazing. The 66s is dynamically balanced, maybe that is the difference, or it has something to do with different design solutions...anyway, after that experience I went for 66s (and 64s btw.).
ddriveman OP
129 posts
 
Syntax. Thanks for your input. Did you compare previous generation Ikeda IT-407 or a recent model? I have heard that current generation arms are not as well built as earlier ones although they look the same
syntax's avatar
syntax
2,033 posts
 
I made the comparison 2012 with the recent IT-407 model. I can't say anything about quality differences....but who knows. Gordon Holt (founder of Stereophile) said a remarkable sentence in an Interview some few years ago:
J. Gordon Holt 2007

No audio product has ever succeeded because it was better, only because it was cheaper, smaller, or easier to use.

The 66s was outstanding expensive, sold in low numbers compared to other Arms and even after 20 years it is hard to get one and when someone looks for a full Box, he has to pay thousands of $ in auctions. That Arm (and the FR-64s) passed the test of time.
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