Should Sound Quality of Computer Audio be improved

Can we all just agree that Petty needs to develop his own stinkin format... he's the engineer... (drives trains)
I just don't understand why he continually beats down us dummy's that aren't smart enough to do this computer stuff properly.... Petty, Please, Please, Please fix it and save us all.

Petty, Petty, Petty...your latest diatribe is just more twisted logic. We are no more be blamed for the failures of SACD/DVDa than we are for the failure of 8-track or Beta. If enough people don't buy into a format, the format fails, pure and simple. That, my friend, is how a "Market" works.

Just like you, we are free to choose whatever format we want - and many of us are choosing computer audio. Why you have chosen to make this personal I haven't the faintest clue.

Why did vinyl outlive cassette - and why might it eventually outlive redbook CD? Why did laser disc never really make it? Why is there no reel-to-reel at HMV? How come I can never find any digital audio cassettes? What about 3D Blu-Ray - who's to blame for that slow market introduction?

There is no conspiracy here - the market decides these things. This is how the world works. You're wasting an awful lot of energy on this. No need to work yourself up into a tizzy!

Chadeffect-
"I don't see your logic. Are you assuming that the
Artist wants their Music to sound bad? They want you to
hear them sound mediocre? They want to go out of business?
"I am trying to let you see that quality is already
better than ever, and what we are talking about are subtle
differences. Differences in Sampling Rates that you will
hardly ever know, as the recording is the recording. Those
choices were made by the record producer. It is all about
the recording. Not just about the Sampling Rate".
I try to add these two statements together, and they
appear to null each other out. Can I hear subtle differences that would be an indication that the Artist wants their Music to sound bad? Can I not hear these subtle
differences, therefore the Artist doesn't care what the
Music Sounds like. You are arguing out of both sides of
your mouth. You can't have it both ways.
Keep it simple. Would the Artist prefer listening to
DXD or a 24/192 Download of his own Music? I guess he
wouldn't have much choice if "Soon all New Music will only
be available as Music Downloads". Do we have one Format for
the Artist, and one Format for the Consumer? If this is the
case WE get the short end of the stick with 24/192 Computer
Downloads of the Artists Music. What if the Artist prefers
Analog, Vinyl, MLP, SACD, DVD-Audio (24/96, 24/192), Blue-
Ray Audio. What if the Artist judges these as better
sounding on Disk via DXD, than on a 24/192 Download. What
are you going to do, shoot the Artist to keep it quiet?
Tell the Artist that he can only listen to a 24/192
Computer File of his own Music when DXD offers 3-4 times
more resolution? MLP even offers 24/192 in four to six
channels. I don't see alot of four to six channels of 24/192 Releases available on HD-Tracks! Two Channel 24/192
High Rez. Downloading is a step down- Recording Quality
higher than ever? Do you even know what it is that you are trying to sell us? If you don't even know, feel free to fume all you want to because some of us won't buy it!
There is the Profit! Paying the same for an MLP Multi-
Channel 24/96, 24/192 Disk than a 2-Channel 24/192 Download. I guess if we were dummed down we would buy that for a dollar. Some of us can actually add. Here is a
News Flash, you can also RECORD at a higher sampling rate.
Based on your opinion this makes no difference in the
Recording? No difference in New Music, nor New Recordings?
It is all about the Recording. Not just about the sampling rate? -REALLY??? How you record directly affects the
recording- you think? I thought that I was a Fossil!

P.O,

Come to a recording studio and let me give you a lesson in sample rates. It's clear you have no experience.

Once you start getting into 24/192 the rest in SQ is a bonus. It's not just about the sample rate once you get this high. Your understanding or possibly experience seems to be the fossil here.

What about questions like which mic & preamp? Which mixing desk? Which take? This all adds up to a decent recording. Don't you understand? You are worrying about such fine detail at this point. I won't watch star wars because he didn't use that other lense on that camera!

We get into a whole load of technical issues which is beyond you and I once we ask the question of even higher sample rates on top of these. Brick wall filters or not. Phase, ringing and implementation etc.

I can say this because the most experienced in the business cannot agree on which is best. But I can promise you what we have is better than what went before. The question is how much better?

Chad,

May I send my Jack Russell Terrier for some lessons?

You will probably have more success educating him. He is very smart AND a good listener. :-)