if warmth implies an attenuation in the lower treble, a component cannot be warm and detailed.
so, it boils down to how a word is defined. for me warmth implies subtraction in the treble and also, slightly in the upper mids. too mjuch detail in the aforementioned regions more than offsets any benefit in the lower frequencies. it is the lower treble and upper midrange which can be the cause of listener fatigue.
so, it boils down to how a word is defined. for me warmth implies subtraction in the treble and also, slightly in the upper mids. too mjuch detail in the aforementioned regions more than offsets any benefit in the lower frequencies. it is the lower treble and upper midrange which can be the cause of listener fatigue.