Stupidgood: Ars Sonum


There are lots of "terms of art" used by audiophools to describe sound and equipment. I propose a new one - stupidgood - a piece of equipment that blows you away, as good as it gets (more or less), and the price or the looks of it makes you incredulous as to how good the equipment is. Of course, I did not come with the term; that would by Bobby P. (Mr. von Merlin) describing the Ars Sonum integrated amplifier. I've had separates from ARC, Joule, LAMM, and CAT, and I can tell you, the Ars Sonum is stupidgood driving Merlin VSM-MXes, which can driven very easily be this little 30 watt gem.
pubul57
I think the wait would be longer than that. I've not heard the Jadis with the Merlins, I'm sure they are superb (they sounded great at the NYC audio show with Proac, I think), but what might (speculation) make the Ars and even better match is the fact that on a parts and wiring level it is designed with the Merlins in mind, matching what you would find in the the Merlin's x-overs. I'm not sure what the impact of that might be, but the SE version of the ARS was definitely influenced by Bobby's input with ARS to optimize performance with the Merlins. I'm not sure there is a way around the wait though, the designer makes'em, no assembly line here; but there is some charm to the idea of that - as long as you have something to listen to while you wait.
Denis, I think the ARS Sonum has a lot of the things that make the Jadis so likable to us.

My ears tell me that the amp slots between the Jadis Orchestra Reference and the DA30. I would probably choose it over a JOR, but a DA30 against it. The DA50S being another step up. Of course, the DA30/DA50S cost a lot more. None of them can compete with the DA60 and DA88S, where you gain the ability to really get things going because of their extra power.

In my opinion, the ARS Sonum is running a better tube complement, with a lot more thought and care going into the choices than any of the Jadis models. But like just about everything in the market, missing out on the trump card of the better Jadis products - those transformers, and that almost impossible to find dancing on the rose colored glasses side of reality. A very sweet sound, though more warm and lush than the Jadis offerings. For me, it certainly represents an alternative product to consider. All in all, highly recommended!

DISCLAIMER - I am the US/Canada distributor for Opera Audio/Consonance products. Factor that into the above opinion, if applicable.
Trelja, have you tried any tube swapping with the ARS. I'm thinking of the little tubes (6922 and 5814/12au7s), I will leave the EL34s alone.
Pubul57, no I have not. I have not bought or played with an ARS. My experiences are only related to my own listening impressions, and speaking to Bobby and the designer.

Based on the sound I hear, and the impressions of the owner, I am more or less comfortable with his choice of tubes. That being said, it's always worth swapping tubes if for no other reason than to satisfy the need to see if one is maximizing the performance of any component in their own system, though it's going to cost a bit of money to roll the small tubes in this application.
I had to run home and try it. I replaced the Tesla 6922 (driver stage) with an Amperex White Label PQ (USA) and in my opinion an improvement. Seems better at microdynamics and presence -or put another way, it sounds beautiful. I'm going to settle on this for a few days, get to know the sound and then try some RCA Clear Top 12au7 in place of the pair of Phillips 5814 - not expecting as much of a difference there but will see. I can't see playing around with the JJ EL34Ls - the measurement and testing is so tight I don't think messing with them will help.
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