Coda VS Muse Model 3 Signature


Hello all, I've been in a hard search for about a month for one of a short list of solid state preamps.
Muse Model 3 or 3 Signature
Coda Contiuum Window 4
Classe 5 or CP 50
AR LS-9
Bryston BP-25
My Budget is $800.00.
Today, I came across the Muse 3 Signature for $1000.00
and a Coda Contiuum Window version 4 for $800.00. I don't know this Coda model. I've heard a fet 01 and it was very good. This Coda is their lower Continuum series, but seems to be very nice. Has anyone heard both to give me a fair comparison?
Thanks,
Tim
timlub
I owned the Model 3 Signature a few years ago and sold it to begin a foray into a variety of tubed preamps. With a recent amp upgrade to monoblocks with only balanced inputs, I found myself in a position of trying to find a good balanced preamp. My preference was for something with dual differential circuitry and not simply a single-ended preamp with balanced outputs, or one that uses transformers to provide a balanced signal. Unfortunately, I could not find a balanced tubed preamp I liked as well as my favorite single-ended preamps.

I had a recent opportunity to purchase as a pair, a used Muse player and (standard) Model 3 preamp at a relatively attractive price. I sent the Model 3 in to MUSE and had it upgraded to a Model 3 Signature with the outboard display-power supply. MUSE has an outstanding upgrade program to help owners of their products have the current models. I am strongly considering upgrading the player to their latest Erato II. In general, having owned several of their pieces, and listened to a whole bunch of other stuff, I have to say the MUSE gear sounds very good. In the case of my recently upgradaded Model 3 Signature preamp, it literally passes the sound from source to amps with very little of it's own sonic signature. Compared to my Lamm LL2, the MUSE is a touch more open at the very high end, has better defined bass, and has a slightly wider but slightly flatter soundstage. The Lamm (and most tubed preamps) is just a bit more dimensional and has fatter bass and a bit more mid-bass richness. I would judge the Model 3 Signature to be primarily neutral, with a very very slight touch of warmth, but generally even-handed across the frequency spectrum. It is indeed grainless, assuming the source is good, but shows a touch less dimensionality than a tubed preamp, as most SS preamps do. Features are excellent, with balanced and single-ended ins and outs, 31.5 dB of gain, output impedance of 50 ohms, or 130+130 ohms balanced, polarity change control, mute, tape, volume adjusted in one-half dB increments via a 255 step digitally controlled analoge attenuator, and gain matching for each individual input. Inputs and outputs are connected directly to the board for short paths. The optional display/power supply provides a nice large automatically dimming volume display graduated in 0.5 dB increments for both left and right channels. Ergonomic downsides are that the remote is a bit chunky and there is no volume knob - just up down buttons via the remote or on the preamp body. If you buy the Model 3 Signature, you can always add the detached power supply/display at a later date through MUSE. I will not say it is a "better" preamp than my favorite single-ended preamps (such as Lamm LL2 Deluxe, CAT Ult Sig II, TEAD Vibe/Pulse), but IMO it knocks closely on the door of those preamps, betters some of them in some ways, sounds quite musical and is a bargin for the money.
I appreciate your informative response. I'm sold the Muse is better than good, but a great piece... I was hoping someone could compare with the also well respected Coda. I have been looking at a new old stock Continuum Window version 4. Which Coda tells me that this single piece is 99% of what is now the CL Preamp.
Sorry, I have had a lot of preamps through here, but no Coda gear whatsoever.
I am anxious to see how the preamp comparision will go once the quality of the balanced cable I am using from preamp to amps with the MUSE preamp matches the quality of rca cables I typically run with my single-ended preamps. I am in the process of putting together a better balanced cable than the (just ok) Sonoran Plateau balanced cable I am currently using.
Mitch, I'm looking forward to receiving a Muse Model 3 in a about a week, purchased here on AudioGon. This preamp looks to be an excellent alternative to my current Marsh P2000. I'll try the Model 3 via balanced connections into a Marsh A400s. If it works well in my system for mainly jazz listening, I'll consider the Signature and external power supply upgrades. Are these two separate upgrades? If you can provide any information on details of your Model 3 upgrades, sonic differences before vs. after the upgrade, or a contact at Muse, please e-mail or post. Thanks very much.