Preamp Deal of the Century


If anyone is looking for a true "World Class" preamp at a very fair price..heed my advice. I just recieved a Supratek Syrah preamp that was hand built by Mick Maloney in Western Australia, and it is absolutely beautiful! This preamp is the best deal you will ever find. I would put it up against any preamp out there for both looks and sound. Price? $2500 for the Syrah (includes Killer Phono stage). Not into phono? Try the Chardonney line stage for $2100. Don't get me wrong, I am not associated with this company. I am just a very happy owner! This preamp is VERY dynamic, yet liquid. It conveys the sound of music better than any other preamp that I have ever heard! You can check out the Supratek website at www. cantech.net.au
slowhand
Whoopadeedoo, the Grange and Cabernet are prepared with a switch to change between PX4 or 300B, like my Cab, other can use PX4 or 45.
On Supratek build quality ...depending on which angle you are looking from the Supratek products have fantastic build quality!

If you are after a mass produced product with neat internals; biscuit thin circuit boards; thin copper traces side by side on a PCB to carry the signal(all interfering with each other with their eddy curents); lots of useless control circuitry that gets in the way of the signal; internal parts chosen with a budget in mind - then go and get yourself any mass market Japanese or USA amp and preamp and be happy with it.

If on the other hand you want something which avoids 'sameness' and is meticulously 'handcrafted'; carries the signal on silver coated copper and teflon wires; has NO circuit boards to sully the signal; contains hand picked components chosen for their sonic value; has unique triode circuitry; and an exterior that looks like a work of art - then choose Supratek.

Its to be expected that if an average non-audiophile technician opens up a Supratek and sees the mass of silver wires going everywhere and big bulky (high quality) capacitors, he's going to think it looks hand built, which it unashamedly is! This type of tech wouldn't appreciate the sonic virtues of hardwiring, nor understand how difficult it is to twist each wire to its connection, as opposed to simply spot soldering on a circuit board.

So you see, the issue of build quality is all a matter of perspective. The external beauty of Supratek preamps is reflected on the inside also. The internal circuitry may look a bit unusual, but it is done that way for sonic merits and should be seen as a positive thing, something that is unique and handcrafted ...at least that's the way I see it and all IMHO.

Regards,

Steve M.

PS: I am currently using a Supratek Grange which has selectable 300B, 45 or PX4 output tubes and a highly developed phono stage. I haven't heard everything out there, but I can't imagine it gets much better than this ...
Henry Ho's "Fire" preamp. Eeeeeeeiiiiiiiiiiiiiiii

Matched with his H2O Sigs, Oh, I don;t know, I have run out of superlatives.
A discussion on digital amps is a little out of place here Vince ...

I own both Bel Canto and ICE module 100w & 500w amps and all are trounced by the Supratek Merlot tube monoblocs that I also have. There is something harmonically and texturally rich in directly heated Single Ended Triode (S.E.T) valve amps that is missing in all digital amps I've heard.

However, all of this is in the context of efficient speakers and I'm sure the H2O amp is very good on your power hungry Apogee Scintillas...

Regards,

Steve.
Excuse me, Stevem1960, my post is about the Fire preamp. I can only relate it to my experience. The H2O is mentioned only to provide a back drop. In going back to previous posts, it seems some people have already dropped the name of my amp on this crowd. Just above someone mentions the Berning. Why so sensitive?